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Lesson 1. The language at a glance#

Alphabet#

The basic thing you need to know about Lojban is obviously the alphabet.

Lojban uses the Latin alphabet (vowels are colored):

a b c d e f g i j k l m n o p r s t u v x y z ' .

Letters are pronounced exactly as they are written.

There are six vowels in Lojban:

a
as in bath (not as in face)
e
as in get
i
as in machine (not as in hit)
o
as in choice, not or ough in thought (not as in so, o should be a "pure" sound).
u
as in cool (not as in but)
y
as in comma (not as in misty or cycle)

As for consonants they are pronounced like in English or Latin, but there are a few differences:

c is pronounced as c in ocean, as sh in shop.
g always g as in gum (never g as in gem).
j like s in pleasure or treasure, like j in French bonjour.
x like ch in Scottish loch or as in German Bach, Spanish Jose or Arabic Khaled. Try pronouncing ksss while keeping your tongue down and you get this sound.
' like English h. So the apostrophe is regarded as a proper letter of Lojban and pronounced like a h. It can be found only between vowels. For example, u'i is pronounced as oo-hee (whereas ui is pronounced as wee).
. a full stop (period, word break) is also regarded as a letter in Lojban. It's a short pause in speech to stop words running into each other. Actually any word starting with a vowel has a full stop placed in front of it. This helps prevent undesirable merging of two sequential words into one.
i before vowels:
iaie...
is considered a consonant and pronounced shorter, for example:
  • ia is pronounced as ya in yard
  • ie is pronounced as ye in yes
u before vowels:
uaue...
is considered a consonant and pronounced shorter, for example:
  • ua is pronounced as wo in wow
  • ue is pronounced as whe in when

Stress is put on the last but one vowel. If a word has only one vowel you just don't stress it.

r can be pronounced like the r in English, Scottish, French, Russian, thus there is a range of acceptable pronunciation for it.

Non-Lojban vowels like short i and u in Standard British English hit and but are used by some people to separate consonants. So if you have problems spitting out two consonant one after another, e.g. the vl in tavla (which means to talk to), then you can say tavɪla — where the ɪ is very short, but other vowels: a, u have to be long.

The simplest sentence#

Now let's turn to constructing our first sentences in Lojban.

The basic unit in Lojban is called bridi meaning "sentence", "relation". Here are two simple ones:

le prenu cu tavla mi

The person speaks to me.

le prenu
the person
tavla
... talks to ..., ... speaks to ...
mi
I, me

mi prami do

I love you.

prami
... loves ... (someone)
do
you

mi ca cu tavla do

I now talk to you.

mi
mi
I
tavla
tavla
to talk
do
do
you

Each sentence in Lojban consists of the following parts from the left to the right:

  • the head: consists of so called "terms". le prenu, mi, ca are terms in the examples above.
  • the head separator cu showing that the head ended. It can be omitted when it's obvious anyway that the head is completed. Remember that the letter c in Lojban is pronounced as sh in English? cu is pronounced just as English shoe
  • the tail: the main relation (tavla, prami) with possibly one or more terms after it: the terms mi, do in the examples above.

One of your first thoughts might be "Where are nouns and verbs in Lojban?"

Well, in Lojban we mostly speak of relations rather than nouns and verbs.

Here are the two relation words, which roughly correspond to verbs:

prenu means ... is a person / are people.

tavla means ... speaks to ....

To turn such "verb" into a noun we put a short word le in front of it:

le prenu means the person.

Similarly, since tavla means ... speaks to ... then

le tavla means the speaker.

It might sound strange how person can be a "verb" but in fact this makes Lojban very simple:

relation word noun
prenu - to be a person le prenu - the person
tavla - to speak to le tavla - the speaker

We can also say that le creates a noun from a relation word with roughly the meaning of one which is … (is a person - the person), or even those who do… (to speak to - the speakers), those who are… (are people - the people).

Notice, that Lojban by default doesn't differentiate between the speaker or the speakers. That is, le tavla is vague in that regard and we will soon discover ways to define the number.

Terms in Lojban (no matter where in a given sentence they are used) are mostly represented with:

  • nouns like le prenu (the person)
  • pronouns like mi (I, me), do (you). Pronouns work exactly as nouns, but le is not used for them, they work as nouns on their own.
  • modal terms like ca (now, in present). Modal terms specify additional, сlarifying information.

Some more examples:

mi nintadni

I am a new student.

nintadni
... is a new student, a newbie

Unlike in English we don't have to add the verb "am/is/are/to be" to the sentence. It is already there. The relation word nintadni (... is a new student) already has this English "am/is/are/to be" built into its English translation.

do jimpe

You understand.

mi pilno le fonxa

I use the phone.

pilno
... uses ... (something)
fonxa
... is a phone, ... are phones
le fonxa
the phone, the phones

mi citka

I eat.

citka
... eats ... (something)

do citka

You eat.

mi citka le plise

I eat the apples.

le plise cu kukte

The apples are tasty.

Here, le plise means the apples, kukte means is tasty / are tasty.

A simpler sentence in Lojban would contain only one main verb:

karce

Car!

You could say this when you see a car coming. Here the context would be clear enough that there is a car somewhere around and probably it's dangerous.

karce itself is a verb meaning is a car, to be a car.

We can of course be more precise and say, for example:

ti karce

This is a car.

ti
ti
this one (near me, the speaker)

where ti is a pronoun meaning this thing near me.

Similarly, you can say

carvi

It is raining.

where

carvi
... is rain, ... is raining

or

pluka

It's pleasant

where

pluka
... is pleasant

Notice that in Lojban there is no need in the word it in such sense. You just use the relation word you need.

prami

Someone loves.

bajra

Someone runs.

bajra
... runs using limbs

Again context would probably tell who loves whom and who runs.

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

do citka You eat.
mi pinxe le ladru I drink milk.
mi citka le plise I eat apples.
pinxe
... drinks ... (something)
le ladru
the milk

«.i» separates sentences#

The most precise way of uttering or writing sentences in Lojban would be placing a short word .i in the beginning of each of them:

mi tavla le prenu .i le prenu cu tavla mi

I'm talking to the people. The people are talking to me.

.i separates sentences like the full stop (period) at the end of sentences in English texts.

When saying one sentence after another in English we make a pause (it may be short) between them. But pause has many different meanings in English. In Lojban we have a better way of understanding where one sentence ends and another begins.

Also note that sometimes when pronouncing words quickly you can't figure out where one sentence ends and the word of the next sentence begins. Therefore it's advised to use the word .i before starting a new sentence.

Numbers: ‘1 2 3 4 5 6 7 8 9 0’ = «pa re ci vo mu xa ze bi so no»#

le simply turns a verb into a noun but such noun has no number associated with it. The sentence

le prenu cu tavla mi

The people talk to me.

The person talks to me.

doesn't specify the number of people talking to me. It is impossible to omit number in English because people in English implies more than one person. In Lojban you can omit even number.

Now let's specify how many of the people are relevant to our discussion.

Let's add a number after le.

pa re ci vo mu xa ze bi so no
1 2 3 4 5 6 7 8 9 0

le pa prenu cu tavla mi

The person talks to me.

The one person talks to me.

We add a number after le and thus specify individual cats.

For numbers consisting of several digits we just string those digits together.

le re mu prenu cu tavla mi

The 25 people talk to me.

Yes, it's that simple.

If we want to count we can separate numbers with .i:

mu .i vo .i ci .i re .i pa .i no

5 ... 4 ... 3 ... 2 ... 1 ... 0

The number za'u means more than ... (> in math), the number me'i means less than (< in math):

le za'u re prenu cu tavla mi

More then two people talk to me.

le me'i pa no prenu cu tavla mi

Fewer than 10 people talk to me.

le za'u ci prenu cu tavla mi

More than three people talk to me.

To say just people (plural number) as opposed to one person we use za'u pa, more than one or simply za'u.

le za'u pa prenu cu tavla mi

le za'u prenu cu tavla mi

The people talk to me.

za'u by default means za'u pa hence such contraction is possible.

le prenu
the person / the people (in general)
le pa prenu
the person (one in number)
le za'u prenu
the people (two or more in number)

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

le mu prenu cu klama le zarci The five people come to the market.
le pa re prenu cu stati .i do stati The 12 people are smart. You are smart.
le prenu cu nelci le plise The people like the apples.
le za'u re prenu cu citka .i le me'i mu prenu cu pinxe le ladru More than two people eat. Fewer than 5 people drink the milk.
le za'u re prenu cu stati More than two people are smart.
le prenu
the person, people
stati
... is smart, ... has a talent
klama
... comes to ... (some place or object)
nelci
... likes (something)
le zarci
the market
le najnimre
the orange (fruit), the oranges
le badna
the banana, bananas

Close the right part of the table. Translate to Lojban the sentences on the left.

The 256 people are smart. le re mu xa prenu cu stati
Fewer than 12 apples are tasty. le me'i pa re plise cu kukte

Compound verbs#

Compound verbs (le tanru in Lojban) are several verb words one after another.

tu melbi zdani

That one is a nice home.

tu
that one (away from you and me)
melbi
... is beautiful, nice
zdani
... is a home or nest to ... (someone)

do melbi dansu

You nicely dance.

dansu
... dances

Here the verb melbi adds an additional meaning as it is to the left of another verb: zdani. The left part is usually translated using adjectives and adverbs.

Compound verbs are a powerful tool that can give us richer verbs. You just string two verbs together. And the left part of such compound verb adds a flavor to the right one.

We can put le (e.g. with a number) to the left of such compound verb getting a compound noun:

le pa melbi zdani
the beautiful home

Now you know why there was cu after nouns in our example

le pa prenu cu tavla mi

The person talks to me.

Without cu it'd turn into le pa prenu tavla … with the meaning the person-talker whatever that could mean.

Remember about placing cu before the main verb in a relation to prevent unintentional creating of compound verbs.

Compound verbs can contain more than two verbs. In this case the first verb modifies the second one, the second one modifies the third and so on:

le pa melbi cmalu karce

the pretty-small car, the car small in a pretty way

le mutce melbi zdani

the very beautiful home

mutce
... is very, ... is much

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

le melbi karce the beautiful car / the beautiful cars
do sutra klama You quickly come. You come fast.
tu barda zdani That is a big home.
le pa sutra bajra mlatu the quickly running cat
le pa sutra mlatu the quick cat
le pa bajra mlatu the running cat
sutra
... is quick
barda
... is big
cmalu
... is small
bajra
... runs
mlatu
... is a cat

Close the right part of the table. Translate to Lojban the sentences on the left.

This is a small car. ti cmalu karce
tasty apples le kukte plise
the quick eaters le sutra citka
You are a quickly going person. do sutra klama prenu

Yes/No’ questions#

In English, we make a yes/no question by changing the order of the words, for example

You are …Are you …?

or putting some form of the verb to do at the beginning, for example,

You know ...Do you know?

In Lojban we can retain the order of words.

We turn any assertion into a yes/no question by simply putting the word xu somewhere in the sentence, for example in the beginning:

xu do nelci le gerku

Do you like the dogs?

le gerku
the dog, the dogs

Remember that in Lojban punctuation like "?" (question mark) is totally optional and used mostly for stylistic purposes. After all, we use the question word xu that shows the question anyway.

Other examples:

xu mi klama

Am I coming?

klama
... comes to ... (somewhere)

xu pelxu

Is it yellow?

pelxu
... is yellow

We can shift the meaning by placing xu after different parts of the relation. Some possible explanations of such shift in meaning are given in brackets:

xu do nelci le gerku*

Do you like the dogs?

do xu nelci le gerku

Do YOU like the dogs? (I thought it was someone else who likes them).

do nelci xu le gerku

Do you LIKE the dogs? (I thought you were just neutral towards them).

do nelci le gerku xu

Do you like the DOGS? (I thought you liked cats).

So what is expressed using intonation in English is expressed by moving xu after the part we want to emphasize. Note, that the first sentence with xu in the beginning asks the most generic question without stressing any particular aspect.

xu is an interjection word. Here are the features of Lojban interjections:

  • interjection modifies the construct before it. So when put after certain part of the relation like pronoun or a verb it modifies that verb: do xu nelci le gerku - Do YOU like the dogs?
  • being put in the beginning of a relation, interjection modifies the whole relation: xu do nelci le gerku - Do you like the dogs?
  • we can put an interjection after different parts of the same relation shifting the meaning.

Interjections don't break compound verbs, they can be used within them:

do nelci le barda xu gerku

Do you like the BIG dogs?

Now how to reply to such 'yes/no' questions?

xu do nelci le gerku

Do you like the dogs?

je'u

Yes.

— True

or

je'u nai

No.

Not true

je'u
interjection meaning "truly"
je'u nai
interjection meaning "falsely, not truly"

Another way to answer yes is to repeat the main verb, for example

xu le mlatu cu melbi

melbi

Are the cats pretty?

Pretty.

Or we can use a special verb go'i that simply refers the main verb of the previous relation:

xu le mlatu cu melbi

go'i

Are the cats pretty?

Pretty.

go'i
verb repeating the relation of the previous relation

Here, go'i means the same as melbi since melbi is the relation of the previous relation.

This course doesn't recommend negating go'i for negative answers. Just use je'u nai.

Since je'u and je'u nai are also interjections. We can use them not only in questions:

je'u do lazni

Truly you are lazy.

lazni
... is lazy

je'u nai mi nelci le gerku

It is false that I like the dogs.

nai is a modifier of interjections, it creates the opposite meaning when put after them.

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

xu le barda zdani cu melbi Is the big home beautiful?
— le prenu cu stati xu
— je'u nai
— Are the people smart?
— No.
do klama le zarci xu Do you go to the market?
xu le verba cu prami le mlatu Does the child love the cats?

Close the right part of the table. Translate to Lojban the sentences on the left.

Is the car fast? xu le karce cu sutra
— Is the orange tasty?
— Yes, it is.
— xu le najnimre cu kukte
— je'u
Does the dog love you? xu le gerku cu prami do

Polite requests#

The interjection .e'o in the beginning of a sentence turns it into a request:

.e'o do lebna le cukta

Could you take the book, please?

Please take the book.

.e'o
interjection: please (pronounced as_ eh-haw _with a short pause or break before the word)
lebna
to take (something)
le cukta
the book

In English to be polite one has to use could you + please + a question). In Lojban .e'o is enough to make a polite request.

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

.e'o do sutra bajra Run quickly!
.e'o do pinxe le tcati Please, drink tea!
.e'o catlu le skina Please, watch the film!
le tcati
the tea
le ckafi
coffee
catlu
to watch
le skina
the film, the movie

Close the right part of the table. Translate to Lojban the sentences on the left.

Please, be smart! .e'o stati
Please, go home! .e'o do klama le zdani
Please, drink the coffee! .e'o do pinxe le ckafi
Please, take care of the child. .e'o do kurji le verba

And’ and ‘or#

do nintadni .i je mi nintadni

You are a newbie. And I am a newbie.

do .e mi nintadni

You and I are newbies.

mi tadni .i je mi tavla do

I study. And I talk to you.

mi tadni gi'e tavla do

I study and talk to you.

.i je
conjunction "and" combining sentences into one.
.e
conjunction "and" connecting nouns.
gi'e
conjunction "and" connecting sentence tails.

We can combine two sentences into one statement using the conjunction .i je means and:

do nintadni .i je mi nintadni

You are a newbie. And I am a newbie.

Since both sentences have the same tail we can use a contraction: the conjunction .e means and for nouns and pronouns:

do .e mi nintadni

You and I are newbies.

do nintadni .i je mi nintadni means exactly the same as do .e mi nintadni

And we can use .e for connecting nouns and pronouns in other positions:

mi pinxe le ladru .e le jisra

I drink the milk and the juice.

That would mean the same as:

mi pinxe le ladru .i je mi pinxe le jisra

le jisra
juice

If the sentence head is the same but the tails differ we use the conjunction gi'e meanings and for sentence tails:

mi tadni .i je mi tavla do

mi tadni gi'e tavla do

I study and talk to you.

Both variations mean the same, simply gi'e leads to a more consise realization.

We also have tools to add and for components of compound verbs:

le melbi je cmalu zdani cu zvati ti

The pretty and small home is here.

zvati
... is present at ...
ti
this thing, this place near me

je is a conjunction in Lojban, it means and in compound verbs.

Without je the sentence changes the meaning:

le melbi cmalu zdani cu zvati

The prettily small home is here.

Here melbi modifies cmalu and melbi cmalu modifies zdani according to how compound verbs work.

In le melbi je cmalu zdani (the pretty and small house) both melbi and cmalu modify zdani directly.

Other common conjunctions:

le verba cu fengu ja bilma

The child is angry or ill (or maybe both angry and ill)

do .a mi ba vitke le dzena

You or I (or both of us) will visit the ancestor.

ja
and/or

.a = and/or when connecting nouns and pronouns.

fengu
... is angry
bilma
... is ill
vitke
to visit
dzena
... is an ancestor

le karce cu blabi jo nai grusi

The car is either white or gray.

do .o nai mi vitke le laldo

Either you or I visit the old one.

jo nai
either … or … but not both (it consists of two words but it has one single meaning)
.o nai
either … or … but not both when connecting nouns and pronouns

Note that it's better to remember jo nai as a single construct. The same for .o nai.

mi prami do .i ju do stati

I love you. Whether or not you are smart.

le verba cu nelci le plise .u le badna

The child likes the apples whether or not (he/she likes) the bananas.

ju
whether or not…
.u
whether or not… when connecting nouns and pronouns.

«joi» is and for mass actions#

do joi mi casnu le bangu

You and I are discussing the language.

casnu
... discusses ...
le bangu
the language
joi
conjunction "and" for masses

If I say do .e mi casnu le bangu it may mean that you discuss the language, and I discuss the language. But it doesn't necessarily mean that we are in the same conversation!

This can be made more visible if we expand this using .i je:

do .e mi casnu le bangu

do casnu le bangu .i je mi casnu le bangu

You discuss the language. And I discuss the language.

In order to emphasize that you and I participate in the same action we use a special conjunction joi meaning and that forms a "mass":

do joi mi casnu le bangu

You and I are discussing the language.

You and I being a single entity for this event are discussing the language.

The pronoun mi'o (you and I together) can actually be expressed as mi joi do, which means exactly the same (it's just longer). In Lojban you may use not a single word for we but more precise constructs like mi joi le pendo (literally I and the friends).

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

mi nelci le badna .e le plise I like the bananas, and I like the apples. I like the bananas and the apples.
do sutra ja stati You are quick or smart or both.
le za'u prenu cu casnu le karce .u le gerku The people discuss the cars whether or not (they discuss) the dogs.
mi citka le najnimre .o nai le badna I eat either the oranges or the bananas.

Close the right part of the table. Translate to Lojban the sentences on the left.

The friends and I like the rain. le pendo e mi cu nelci le carvi
Either I or you go to the market. mi .o nai do klama le zarci
I look at the big and beautiful car. mi catlu le barda je melbi karce
The child drinks milk and/or juice. le verba cu pinxe le ladru .a le jisra
The child and the small one discuss the car. le verba joi le pa cmalu cu casnu le karce (note the use of joi. the small one is just le pa cmalu).

But …#

le najnimre cu barda .i je ku'i le badna cu cmalu

The oranges are big. But the bananas are small.

ku'i
interjection: but, however

Actually, in English but is the same as and + it adds a flavor of contrast.

In Lojban we just use the conjunction .i je (or .e, gi'e, je depending on what we connect) and add the falvor of contrast to it with the interjection ku'i. That will give us the necessary contrast. As usual, the interjection modifies the construct before it.

Events: ‘dancing and being together’ - «le nu dansu .e le nu kansa»#

Any relation can be turned into a verb by putting nu in front of it:

le nicte cu nu mi viska le lunra

The night is when I see the Moon.

Night is the event when I see the Moon.

nicte
(some event) is a nighttime
le nicte
the nighttime, nighttimes
viska
to see (something)
le lunra
the Moon

Here le nicte is a noun of the sentence and nu mi viska le lunra is the main verb of the sentence as it starts with nu. But inside this main verb we can see another relation (mi viska le lunra) embedded!

The word nu actually transforms a sentence into a verb that denotes an event or a process.

Adding le in front of nu creates nouns that denote events:

pinxe
to drink
le nu pinxe
the drinking
dansu
to dance
le nu dansu
the dancing
kansa
... is together with ...
le nu kansa
being together
klama
to come to ...
le nu klama
the coming
le nu do klama
the coming of you, you coming

le nu often corresponds to English -ing, -tion, -sion.

Some verbs require using events instead of ordinary nouns. For example:

mi djica le nu do klama ti

I want you to come here (to this place)

djica
to want (some event)

mi gleki le nu do klama

I'm happy because you are coming.

gleki
... is happy (of some event)

Some nouns describe events by themselves so no le nu is used:

le cabna cu nicte

Now it's night. At present it's night.

le cabna
the present time, the present event.

Nouns made with le nu can be used for verbs that describe events by themselves:

le nu pinxe le ladru cu nabmi mi

Drinking milk is a problem to me.

nabmi
(event) is a problem (to someone), (event) is problematic (to someone)

All Lojban words are divided into two groups:

  • particles (called le cmavo in Lojban). Examples: le, nu, mi
  • verbs (called le selbrivla in Lojban). Examples: gleki, klama. It is quite common to write several particles one after another without spaces between them. This is allowed by Lojban grammar. So don't be surprised to see lenu instead of le nu, je'unai instead of je'u nai, jonai instead of jo nai and so on. This doesn't change the meaning. However, this is not applied to verbs: they are to be separated with spaces.

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

mi nelci le nu do dansu I like you dancing.
xu do gleki le nu do pilno le skami Are you happy of using computers?
do djica le nu mi citka le plise xu Do you want me to eat the apple?
pilno
to use (something)
le skami
the computer

Close the right part of the table. Translate to Lojban the sentences on the left.

Coming here is a problem. le nu klama ti cu nabmi
I want you to be happy. mi djica le nu do gleki

Tenses in Lojban are expressed as modal terms. We've already seen the modal term ca meaning at present.

Modal terms specify additional, clarifying information.

Here is the series of tense terms that tell when something happens:

le prenu pu cu tavla mi

The people talked to me.

le prenu ca cu tavla mi

The people talk to me (at present).

le prenu ba cu tavla mi

The people will talk to me.

If after the tense particle we use a bare noun then we get a term with a slightly different meaning:

mi pinxe le ladru ca le nu do klama

I drink milk while you are coming.

The ca le nu do klama part is a long term meaning while you come / while you are coming. The le nu do klama is a noun meaning coming of you, you coming.

mi citka ba le nu mi dansu

I eat after I dance.

tense particles are grouped into series by their meaning to make them easier to remember and use.

Words for simple tense:

  • pu means before ... (some event), pu alone denotes past tense.
  • ca means at the same time as ... (some event), ca alone denotes present tense.
  • ba means after ... (some event), ba alone denotes future tense.

Tenses add information about time when something happens. English forces us to use certain tenses. One has to choose between

  • The people talk to me.
  • The people talked to me.
  • The people will talk to me.

and other similar choices.

But in Lojban tense particles are optional, we can be as vague or as precise as we want.

The sentence

le prenu cu tavla mi

The people talk to me.

actually says nothing about when this happens. Context is clear enough in most cases and can help us. But if we need more precision we just add more words.

Similarly, ba means after ... (some event) so when we say mi ba cu citka we mean that we eat after the moment of speaking, that's why it means I will eat.

We can combine tense particles with and without noun arguments after them:

mi pu cu citka le plise ba le nu mi dansu

I ate the apples after I danced.

Note, that the term pu (past tense) is put only in the main relation (mi pu cu citka). In Lojban it is assumed that the event "I danced" happens relatively to the event of eating.

We shouldn't put pu with dansu (unlike English) as mi dansu is viewed relative to mi pu cu citka so we already know that everything was in past.

More examples of terms of tense:

le nicte cu pluka

The night is pleasant.

pluka
... is pleasant

ba le nicte cu pluka

After the night it is pleasant.

Here, the head of the sentence contains one term ba le nicte, a term with its noun. Then after the separator cu the main verb of the sentence pluka is followed (pluka alone means It is pleasant.)

To say will be pleasant we should use the past tense term:

le nicte ba cu pluka

The night will be pleasant.

Also note that adding a noun after a tense particle can lead to drastically different meaning:

le nicte ba le nu citka cu pluka

The night is pleasant after eating.

Note that ca can extend slightly into the past and the future, meaning just about now. Thus, ca reflects a widely used around the world the notion of "present time".

It is also possible to integrate tense particles into the verb:

le nicte ba cu pluka

le nicte ba pluka

The night will be pleasant.

Both sentences mean the same, ba pluka is a single verb meaning ... will be pleasant.

The structure of le nicte ba pluka is the following:

  • le nicte - the head of the sentence with just one term le nicte
  • ba pluka - the tail of the sentence with just one verb ba pluka

Contrast this with the previous sentence le nicte ba cu pluka:

  • le nicte ba - the head of the sentence with two terms le nicte and ba
  • pluka - the tail of the sentence with just one verb pluka

The advantage of le nicte ba pluka over le nicte ba cu pluka is only in conciseness, you can usually skip saying cu in such cases since the sentence can't be understood otherwise anyway.

If you wish to put a modal term before a noun you can separate it by explicitly "ending" the term with the helper word ku:

ba ku le nicte cu pluka

le nicte ba cu pluka

le nicte ba pluka

The night will be pleasant.

ku prevents ba le nicte from appearing thus retaining ba ku and le nicte as separate terms.

Another series of tense particles, event contours:

co'a
tense particle: the event is at its beginning
ca'o
tense particle: the event is in progress
co'i
tense particle: the event is viewed as a whole (has started and then finished)

Most verbs describe events without specifying the stage of those events. Event contours allow us to be more precise:

mi pu co'a сu cikna

mi pu co'a cikna

I woke up.

cikna
... is awake
co'a cikna
... wakes up, becomes awake
pu co'a cikna
... woke up, became awake

To precisely express English Progressive tense we use ca'o:

mi pu ca'o сu pinxe

mi pu ca'o pinxe

I was drinking.

mi ca ca'o pinxe

I am drinking.

mi ba ca'o pinxe

I will be drinking.

co'i usually corresponds to English Perfect tense:

le verba ca co'i pinxe le jisra

The children have drunk the juice.

We could omit ca in these sentence since the context would be clear enough in most such cases.

Present Simple tense in English describes events that happen sometimes:

le prenu ca ta'e tavla

The people (habitually, sometimes) talk.

ta'e
simple tense: the event happens habitually

We can use the same rules for describing the past using pu instead of ca or the future using ba:

le prenu pu co'i tavla mi

The people had talked to me.

le prenu ba co'i tavla mi

The people will have talked to me.

The relative order of tenses is important. In ca co'i we first say something happens in present (ca), then we state that in this present time the described event has been completed (co'i). Only when using this order we get Present Perfect tense.

Another series of modal terms emphasizes that events happened during an interval:

ze'i
for a short time
ze'a
through some time, for a while, during ...
ze'u
for a long time

mi pu ze'a cu sipna

mi pu ze'a sipna

I slept for a while.

mi pu ze'a le nicte cu sipna

I slept through the night. I slept all night.

Notice that we cannot elide cu here since nicte sipna (... is a night sleeper) is a tanru and thus would lead to some other (if weird) meaning.

mi pu ze'i le nicte cu sipna

I slept through the short night.

Compare ze'a with ca:

mi pu ca le nicte cu sipna

I slept at night.

sipna
... sleeps
le nicte
the nighttime

When using ze'a we are talking about the whole interval of what we describe. Don't forget that nicte is itself an event so we don't need nu here.

Modal term for because:

mi pinxe ri'a le nu mi taske

I drink because I am thirsty.

mi citka ri'a le nu mi xagji

I eat because I am hungry.

ri'a
because … (of some event)
taske
... is thirsty
xagji
... is hungry

Modal terms denoting place work the same way:

mi klama fa'a do to'o le zdani

I go to you from the home.

mi cadzu bu'u le tcadu

I walk in the city.

fa'a
towards …, in the direction of …
to'o
from …, from the direction of …
bu'u
at … (some place)

One thing is important. nu shows that a new relation in a sentence starts. Put vau after such relation to show its right border like we have right bracks ")" or "]" in math. Here is an example:

le gerku cu plipe fa'a mi ca le nu do ca'o klama

The dog jumps towards me when you are coming.

plipe
to jump

but

le gerku cu plipe ca le (nu do ca'o klama vau) fa'a mi

The dog jumps (when you are coming) towards me.

Brackets are used here only to show the structure, they are not necessary in a normal Lojban text.

We use vau after the inner relation nu do ca'o klama to show that it ended and the main relation continues with its cu, terms, nouns, pronouns.

Compare this sentence with the following:

le gerku cu plipe ca le (nu do ca'o klama fa'a mi)

The dog jumps (when you are coming towards me).

As you can see do klama fa'a mi is a relation inside the big one. So fa'a mi is now inside it.

Now you, not the dog, come towards me.

At the end of the sentence vau is never needed as it's already the right border.

One more example with a tense particle:

mi pu citka le plise ba le nu mi dansu

I ate the apples after I danced.

mi pu citka ba le nu mi dansu vau le plise

I ate (after I danced) the apples.

Thus we can move ba le nu mi dansu around the sentence provided that it's still put after pu.

Task#

Close the right part of the table. Translate from Lojban the sentences on the left.

mi ca gleki le nu do catlu le tsani I am happy that you look at the sky.
xu le gerku pu ca'o zvati le zdani Were the dogs staying at home?
do pu citka le plise ba le nu mi pinxe le jisra You ate the apples after I drank the juice.
ko catlu fa'a le canko Look towards the window.
xu do gleki ca le nu do ca'o cadzu bu'u le purdi Are you happy when you are walking in the garden?
ca le nu mi klama le zdani vau do pinxe le tcati ri'a le nu do taske When I go home you drink tea because you are thirsty.
le tsani
the sky
zvati
...is present at ... (some place or event), ... stays at ... (some place)
le canko
the window
le fagri
the fire
mi'o
You and I
le tcati
the tea

Close the right part of the table. Translate to Lojban the sentences on the left.

You will look at the car. do ba catlu le karce
You want it to rain in future. do ca djica le nu ba carvi
Quickly run away from the fire! ko sutra bajra to'o le fagri
You and I were staying together at home when it was raining. mi'o pu ca'o zvati le zdani ca le nu carvi

Negation#

The term na ku makes everything to its right within the relation negative in meaning:

mi na ku nelci do

I don't like you.

na ku
term: it is not true that ...

Its opposite, the term ja'a ku affirms the meaning:

mi ja'a ku nelci do

I do like you.

ja'a ku
term: it is true that ...

Names. Choosing a name#

le cmevla, or name word is a special kind of word used to build personal names. It's easy to recognize le cmevla in a flow of text as only le cmevla end in a consonant.

Besides, they are wrapped by one dot from each side.

Examples of le cmevla are: .paris., .robin.

If one's name is Bob then we can create a cmevla ourselves that would sound as close as possible to this name, for example .bab.

The most simple example of using a name would be

la .bab. cu tcidu

Bob reads/is reading.

tcidu
... reads

la is similar to le but it converts a word not to a simple noun but to a name.

In English we start a word with a capital letter to show that it's a name. In Lojban we use the prefix word la.

Always use la when producing names!

A name can consist of several cmevla one after another:

la .bab.djansyn. cu tcidu

Bob Johnson reads/is reading.

Here, we separated the two cmevla with just one dot, which is also a common style.

It's common to omit dots in front of and at the end of le cmevla to write texts faster, for example, when text chatting. After all, le cmevla are still separated from neighboring words by spaces around them:

la bab djansyn cu tcidu

However, in spoken language it is still necessary to put a short pause before and after le cmevla.

Bob's first name goes into Lojban without much changes. The same for the name Lojban. It's a cmevla and is written as .lojban.:

la .lojban. cu bangu mi

I speak Lojban. Lojban is a language of me. Lojban is a language I use.

bangu
... is a language used by ... (someone)

However, Lojban letters directly correspond to sounds. Therefore, there are some rules for adapting names to how they are written in Lojban. This may sound strange — after all, a name is a name — but in fact all languages do this to some extent. For example, English speakers tend to pronounce Jose something like Hozay, and Margaret in Chinese is Magelita. Some sounds just don't exist in some languages, so you need to rewrite the name so that it only contains Lojban sounds, and is spelt according to letter-sound correspondence.

Example:

la .djansyn.
Johnson (probably, closer to American pronunciation)
la .suzyn.
Susan

In the English name Susan the two letters s are pronounced differently. The second one is actually a z, and the a is not really an a sound, it's the "schwa" explained in the beginning of this chapter. So Susan is written .suzyn. in Lojban.

Pay attention to how the name is pronounced natively. Thus, the English and French names Robert come out differently in Lojban: the English name is rather .robyt. in UK English, or .rabyrt. in some American dialects, but the French is .rober.

Here are some names that we'll use throughout this book:

la .alis. Alice la .meilis. Mei Li
la .bab. Bob la .abdul. Abdul
la .ian. Yan or Ian la .al. Ali
la .doris. Doris la .micel. Michelle
la .kevin. Kevin la .edvard. Edward
la .adam. Adam la .lukas. Lucas
  • Two extra full stops (periods) are necessary because if you didn't put those pauses in speech, you might not know where the name started and ended, or in other words where the previous word ended and the next word began.
  • The last letter of a cmevla must be a consonant. And if a name doesn't end in a consonant we usually add use s to the end; so in Lojban, Mary becomes .meris., Joe becomes .djos. and so on. An alternative is to leave out the last vowel, so Mary would become .mer. or .meir.
  • You can also put a full stop in between a person's first and last names (though it's not compulsory), so Jim Jones becomes .djim.djonz.

Rules for making le cmevla#

Here is a compact representation of Lojban sounds:

  • vowels:
    • a e i o u y au ai ei oi
  • consonants:
    • b d g v z j (voiced)
    • p t k f s c x (unvoiced)
    • l m n r
    • i u. They are considered consonants when put between two vowels or in the beginning of a word. .iaua - i and u are consonants here. .iai - here is the consonant i with an vowel ai after it.
    • ' (apostrophe). It is put only between two vowels: .e'e, .u'i
    • . (dot, word break)

We first write a name with Lojban letters and then change it according to these rules:

  1. it ends in consonants except ' . Additionally they are wrapped by a dot from each side: .lojban. It's quite common to omit word breaks in informal texts.
  2. vowels can be put only between two consonants: .sam., .no'am.
  3. double consonants are merged into one: dd becomes d, nn becomes n etc. Or a y is out between them: .nyn.
  4. if a voiced and a unvoiced consonants are next to each other then y is inserted inside: kv becomes kyv. Or you can remove one of the letters instead: pb can be turned into a single p or a single b.
  5. if one of c, j, s, z are next to each other then y is inserted inside: jz becomes jyz. Or you can remove one of the letters instead: cs can be turned into a single c or a single s.
  6. if x is next to c or next to k then y is inserted inside: cx becomes cyx, xk becomes xyk. Or you can remove one of the letters instead: kx can be turned into a single x.
  7. the substrings mz, nts, ntc, ndz, ndj are fixed by adding y inside or deleting one of the letters: nytc or nc, .djeimyz.
  8. double ii between vowels is merged into a single i: .eian. (but not .eiian.)
  9. double uu between vowels is merged into a single u: .auan. (but not .auuan.)
  10. The sound for the English "h" as in Harry can be either dropped or replaced with x. "Harry" can become .aris. or .xaris.

Relation words as names#

You can use not only cmevla, but also relation words to choose your nickname in Lojban. If you prefer, you can translate your name into Lojban (if you know what it means, of course) or adopt a completely new Lojban identity.

Here are a few examples of Lojbanic names:in

Original name Meaning Word in Lojban Your name
Blake black le xekrithe black one la xekri
Ethan solid, during le sliguthe solid la sligu
Mei Li beautiful in Mandarin Chinese le melbithe beautiful ones la melbi

he and she#

le ninmu
le ninmu
the woman (female human)
le nanmu
le nanmu
the man (male human)

Lojban doesn't really have words for he or she. Possible solutions:

le ninmu
the woman (in gender sense)
le nanmu
the male man (in gender sense)

le ninmu cu tavla le nanmu .i le ninmu cu jatna

The woman talk to tha man. She is the leader.

jatna
... is a leader, commander

Lojbanists have proposed various words for other genders like

le nonmu
the agender person
le nunmu
the non-binary-gendered person

although in most cases the simplest le prenu (the person) or personal names are fine.

Another option is to use the short pronoun ri. It refers to the previous noun:

mi pu klama le nurma .i ri melbi

I went to the country. It was beautiful.

le nurma
the rural area

Here, ri refers to the country side.

mi tavla le pendo .i ri jundi

I talk to the friend. He/she is attentive.

jundi
... is attentive

Here, ri refers to the friend.

ri skips pronouns mi (I) and do (you):

le prenu cu tavla mi .i ri pendo mi

The person talks to me. He/she is a friend of mine.

Here, ri skips the previous pronoun mi and thus refers to le prenu that is the previous noun/pronoun available.

Introducing yourself. Vocatives#

cerni
cerni
... is morning
vanci
vanci
... is evening
donri
donri
... is daylight time
nicte
nicte
... is night

Vocatives in Lojban are words that function just like interjections (xu which we earlier discussed) but they attach the following noun after them:

coi do

Hello, you!

coi
vocative: Hello! Hi!

We use coi + a noun or pronoun to greet someone.

co'o do

Goodbye to you.

co'o
vocative: goodbye!
coi ro do
Hello each of you
is how people usually start a conversation with several people. coi re do means Hello you two and can be useful when, for example, one starts a letter to their parents).

Since vocatives work like interjections we have nice types of greetings:

cerni coi

Good morning!

It's morning — Hello!

vanci coi

Good evening!

donri coi

Good day!

nicte coi

Nightly greetings!

Note that in English "Goodnight!" means "Goodbye!" or denotes wishing someone spending good night. By its meaning "Goodnight!" doesn't belong to the series of greetings above. Thus, we use a different wording in Lojban:

nicte co'o

Good night!

or

.a'o pluka nicte

Pleasant night!

.a'o
interjection: I hope
pluka
... is pleasant to … (someone)

Of course, we can be vague by just saying pluka nicte (just meaning pleasant night without any wishes explicitly said).

The vocative mi'e + a noun/pronoun is used to introduce yourself:

mi'e la .doris.

I'm Doris. This is Doris speaking.

mi'e
vocative: identifies speaker

The vocative doi is used to show who we're talking to:

mi cliva doi la .robert.

I'm leaving, Robert.

cliva
to leave (something or someone)

Without doi the name might become the first noun of the relation:

mi cliva la .robert.

I'm leaving Robert.

doi is a like Old English O (as in O ye of little faith) or the Latin vocative (as in Et tu, Brute). Some languages don't distinguish between these contexts although as you can see Old English and Latin did.

Two more vocatives are are ki'e for saying thanks and je'e for accepting them:

ki'e do do pu sidju mi

je'e do

Thank you, you helped me.

Not at all.

sidju
... helps ... (someone)

We can omit the noun after the vocative only if this is the ends of the sentence. For example we can just say

coi .i xu do kanro

Hello. How do you do?

— Hello. Are you healthy?

kanro
... is healthy

Here, a new sentence starts immediately after the vocative coi so we omitted the name. Or we can say:

coi do mi djica le nu do sidju mi

Hello. I want you to help me.

Hello you. I want that you help me.

Thus, in case you don't know the name of the listener you just place do after it if you want to continue the same sentence after the vocative.

If you use the vocative on its own (without a noun after it) and the sentence is not finished yet then you need to separate it from the rest, because the things likeliest to follow the vocative in a sentence could easily be misconstrued as describing your addressee. Use the word do for that. For example,

coi do la .alis. la .doris. pu cliva

Hello! Alice left Doris.

Hello you! Alice left Doris

coi la .alis. la .doris. pu cliva

Hello, Alice! Doris left.

And if you want to put both vocatives and interjections modifying the whole sentence please put interjections first:

.ui coi do la .alis. la .doris. pu cliva

Yay, Hello! Alice left Doris.

Note that in the beginning of sentences usually interjections are put before vocatives because

coi .ui do la .alis. la .doris. pu cliva means

Hello (I'm happy about this greeting) you! Alice left Doris.

So an interjection immediately after a vocative modifies that vocative. Similarly, interjection modifies the vocative noun when being put after it:

coi do .ui la .alis. la .doris. pu cliva

Hello you (I'm happy about you)! Alice left Doris.

Lesson 2. More basic stuff#

Order of arguments#

Earlier we provided such definitions of verbs as:

mlatu
... is a cat, to be a cat
citka
... eats ...
prami
... loves ...
klama
... come to ...

The dictionary at the end of this textbook presents all verbs with x1, x2 etc. symbols:

prami
x1 loves x2
karce
x1 is a car ...
citka
x1 eats x2 ...
klama
x1 comes to x2 ...

These x1, x2 etc. are quite simple. They are called places of arguments and more precisely represent the order in which we add nouns or pronouns. For example:

mi prami do

I love you.

This also means that

  • x1 denotes the one who loves and
  • x2 denotes the one who is loved by.

The advantage of such style of definitions is that all participants of a relation are in one definition.

We can also omit nouns making the sentence more vague:

carvi

It is raining.

is rain, is raining

(although tense here is determined by context, it can also mean It often rains, It was raining etc.)

prami do

Someone loves you.

loves you

All omitted places in a relation just mean zo'e = something/someone so it means the same as

zo'e prami do

Someone loves you.

And

prami

is the same as

zo'e prami zo'e

Someone loves someone.

Modal terms like ca, fa'a etc. add new places to relations but they don't remove existing places of verbs. In

mi klama fa'a do

I come towards you.

the second place of klama is still omitted. For example:

mi klama fa'a le cmana le zdani

I come (in the direction of the mountain) to the home.

le cmana
the mountain

And here the second place of klama is do. And the sentence means that the mountain is just a direction whereas the final point is you.

Here, the term fa'a la cmana (in the direction of the mountain) doesn't replace the second place of the verb klama. The second place of klama is la zdani here.

The sentence means that my home is simply located in the direction of the mountain but it doesn't mean I want to reach that mountain. The final destination of me coming is not necessarily the mountain but the home.

Similarly, in

mi citka ba le nu mi cadzu

I eat after I walk.

the second place of citka is still omitted. A new word ba with its argument le nu mi cadzu adds meaning to the sentence.

The order of arguments of compound verbs is the same as the of the last verb word in it:

tu sutra bajra pendo mi

That is my quickly running friend.

That is a quickly running friend of me.

pendo
... is a friend of ... (someone)

So the order of arguments is the same as of pendo alone.

More than two places#

There might be more than two places. For example:

mi pinxe le ladru le kabri

I drink the milk from the cup.

pinxe
x1 drinks x2 from x3

le kabri

the cup

In this case there are three places and if you want to exclude the second place in the middle you have to use zo'e:

mi pinxe zo'e le kabri

I drink [something] from the cup.

If we omit zo'e we get something meaningless:

mi pinxe le kabri

I drink the cup.

Another example:

mi posydu'a le cukta do

I give the books to you.

posydu'a
x1 gives, donates x2 to x3
le cukta
the books

General rules in the order of arguments#

The order of places in verbs might be sometimes hard to remember. But let's not worry — like in English you don't need to remember all places of all verbs (do you remember the meaning of hundreds of thousands of words in English?)

You may study places when you find them useful or when people use them in a dialogue with you.

Most of verbs have one or two places. Usually you can guess the order using context and a few rules of thumb:

  1. The first place is often the person or thing who does something or is something:

    klama = x1 goes ...

  2. The object of some action is usually just after the first place:

    punji = x1 puts x2 on x3,

    posydu'a = x1 gives x2 (gift) to x3 (recipient)

  3. And the next place will usually be filled with the recipient:

    punji = x1 puts x2 on x3,

    posydu'a = x1 gives x2 (gift) to x3 (recipient)

  4. Destination (to) places nearly always come before origins (from) places:

    klama = x1 goes to x2 from x3

  5. Less-used places come towards the end. These tend to be things like ‘by standard’, ‘by means’ or ‘made of’.

The general idea is that first come the places which are most likely to be used.

No need to fill all places all the time. Unfilled places just have values irrelevant or obvious to the speaker (they take the value of zo'e = something).

Types of places#

The dictionary may also mention types of places, e.g.

djica
x1 wants x2 (event)

This event means that you have to fill the place with a noun that represents an event. E.g.

le nicte
nighttime
le nu mi dansu
me dancing

So we get

mi djica le nicte

I want the nighttime event.

do djica le nu mi dansu

You want me to dance.

It'd be strange to say, e.g.:

mi djica le plise

I want the apple.

because you want to do something, you want some event happening with the apple, e.g.:

mi djica le nu mi citka le plise

I want to eat the apple.

I want that I eat the apple.

Places for nouns#

le pendo
le pendo
the friend / the friends
le cukta
le cukta
the book, the books
mi posydu'a pa cukta
mi posydu'a le cukta
I give the book

How do we say You are my friend ?

do pendo mi

You are my friend.

You are a friend of me.

And now how do we say My friend is smart.?

le pendo be mi cu stati

My friend is crazy.

So when we convert a verb into a noun (pendoto be a friend into le pendoa friend) we can still retain other places of that verb by placing be after it.

By default it attaches the second place (x2). We can attach more places by separating them with bei:

mi posydu'a le cukta do

I give the book to you.

le posydu'a be le cukta bei mi

The grantor of a book to me

le posydu'a be le cukta bei mi cu pendo mi

The giver of the book to me is my friend.

The one who gives the book to me is a friend of mine.

Another example:

mi klama le pendo be do

I come to a friend of yours.

klama
x1 comes to x2 from x3 ...

We can't omit be because le pendo do are two independent places:

mi klama le pendo do

I come to a friend from you.

Here, do took the third place of klama since it's not bound to pendo via be.

Neither could we use nu because le nu pendo do is the event of someone being a friend of yours.

So le pendo be do is the correct solution.

Another example:

la .lojban. cu bangu mi

Lojban is my language.

Lojban is a language of me.

However,

mi nelci le bangu be mi

I like my language.

Using be for verbs not converted to nouns has no effect: mi nelci be do is the same as mi nelci do.

Relative clauses#

le prenu poi pendo mi cu tavla mi

The person that is friend of mine talks to me.

le prenu noi pendo mi cu tavla mi

The person, who is incidentally a friend of mine, talks to me.

blabi
... is white

In the first sentence the word "that" is essential to identifying the person in question, it clarifies whom among people in context we are talking about. Out of probably many people around we choose only those who are my friends. Maybe there is only one person around that is my friend.

As for "who is incidentally a friend of mine" from the second sentence it just provides additional information about the person. It doesn't help us to identify the person. For example, this might happen when all the people around are my friends.

poi pendo mi is a relative clause, a relation attached to the right of the noun le prenu. It ends just before the next word cu:

le prenu (poi pendo mi) cu tavla mi

The person that is friend of mine talks to me.

In Lojban we use poi for relative clauses that identify entities (objects, people or events) and noi for incidental information.

la .bob. ba co'a speni le ninmu poi pu xabju le nurma

Bob will marry a girl who lived in the country.

xabju
... lives in ..., ... inhabits ... (place, object)
le nurma
the rural area

This sentence doesn't exclude Bob marrying someone else as well! Removing the relative clause with poi changes the meaning:

la .bob. ba co'a speni le ninmu

Bob will marry a girl.

Another example:

le prenu poi gleki cu ze'u renvi

People (which ones?) who are happy live long.

ze'u
modal term: for a long time
renvi
to survive

Removing the relative clause with poi changes the meaning:

le prenu ze'u renvi

The people live long.

On the other hand, relative clauses with noi contain just additional information about the noun to which they are attached. That noun is sufficiently defined by itself so that removing a relative clause with noi doesn't change its meaning:

mi nelci la .doris. noi mi ta'e zgana bu'u le panka

I like Doris, whom I habitually see in the park.

I like Doris. What else can I say about her? I habitually see her in the park.

zgana
to observe (using any senses)

Removing the relative clause with noi retains the meaning: I like Doris.

In spoken English the distinction is often achieved using intonation or by guessing. Also relative clauses with noi are traditionally separated with commas in English, they use which or who and the word that is not used in them.

Let's have another example.

mi klama le pa tricu

I come to the tree.

le pa tricu cu barda

The tree is big.

le pa tricu
the tree (one tree)
barda
x1 is big/large

And now let's join those two sentences:

le tricu noi mi klama ke'a cu barda

The tree, to which I go, is big.

Note the word ke'a. We move the second sentence about the same tree into a relative clause and replace the noun le tricu with ke'a in the relative clause. So the pronoun ke'a is like who and which in English. It points back to the noun to which the relative clause is attached.

So literally our Lojbanic sentence sounds like

The tree, such that I go to which, is big.

ke'a can be dropped if we are to place it just after noi or poi. That's why the two following sentences mean the same:

le prenu poi pendo mi cu tavla mi

le prenu poi ke'a pendo mi cu tavla mi

The person that is friend of mine talks to me.

ke'a goes to the first unfilled place:

mi nelci la .doris. noi mi ta'e zgana bu'u le panka

mi nelci la .doris. noi mi ta'e zgana ke'a bu'u le panka

I like Doris, whom I habitually see in the park.

Here, mi fills the first place of the verb ta'e zgana (... habitually sees ...), thus, ke'a is assumed for the next, second place.

Relative clauses like usual relations can contain constructs with modal terms:

le tricu noi mi pu klama ke'a ca le cabdei cu barda

The tree, to which I went today, is big.

le cabdei
the day of today

Note that ca le cabdei belongs to the relative clause. Compare:

le tricu noi mi pu klama ke'a cu barda ca le cabdei

The tree, to which I went, is big today.

The meaning has changed a lot.

Finally, voi is used to form le-like nouns but with relative clauses:

ti voi le nu ke'a cisma cu pluka mi cu zutse

These ones whose smile pleases me are sitting down.

ti
this one near me, these ones near me
cisma
x1 smiles
pluka
x1 is pleasant to x2
zutse
x1 sits, is sitting

Here, voi defines the object near me.

Compare it to:

ti poi le nu ke'a cisma cu pluka mi cu zutse

Of these ones those whose smile pleases me are sitting down.

poi restricts the selection to those described in the relative clause. This example might imply that there are many objects (people etc.) around me but with poi I select only necessary ones.

Compare it to:

ti noi le nu ke'a cisma cu pluka mi cu zutse

These ones (who are incidentally such that their smile pleases me) are sitting down.

noi simply adds incidental information that is not necessary to determine what ti (these ones) refers to. Perhaps, there is nobody else around to describe.

Short relative clauses. ‘About#

Sometimes you might need to attach to a noun an additional noun or pronoun:

mi djuno le vajni pe do

I know something important about you.

le vajni
something important

pe and ne are similar to poi and noi but connect nouns (and pronouns) to nouns:

le pa penbi pe mi cu xunre

The pen that is mine is red. (mine is essential to identifying the pen in question)_

le pa penbi ne mi cu xunre

The pen, which is mine, is red. (additional information)_

ne
which is about, has relation to ... (a noun/pronoun follows)
pe
that is about, has relation to ... (a noun/pronoun follows)

«be» and «pe»#

Notice that relative clauses are attached to nouns whereas be connects to the verb that is transformed into a noun afterwards.

Actually, le bangu pe mi is a better translation of my language, since like in English, the two nouns are related to each other in a vague way.

However, you can say le birka be mi as my arm. Even if you saw off your arm, it'll still be yours. That's why birka has a place of the owner:

birka
x1 is an arm of x2

Notice that be attaches to the verb word. But pe, ne, poi and noi attach to nouns. For example,

le pa melbi be mi cukta pe le pa pendo be mi cu barda

The beautiful to me book of the friend of mine is big.

Here, be mi is applied only to the verb melbi = to be beautiful to … (someone). But pe le pa pendo is applied to the whole noun le pa melbi be mi cukta = the beautiful to me book.

It can also happen that we need to attach be to a noun and then attach pe to the same noun:

le pa pendo be do be'o pe la paris cu stati

The friend of yours who is related to Paris is smart.

le pu posydu'a be le pa cukta bei do be'o pe la paris cu stati

Who gave the book to you (and who is related to Paris) is smart.

be'o shows that the nouns attached with be and with bei (if they are used) end, and thus pe la paris is attached to the whole bigger noun pa pendo be do be'o and le pu posydu'a be le pa cukta bei do be'o.

Compare it to:

le pa pendo be do pe la paris cu stati

The friend of yours (who is related to Paris) is smart.

le pu posydu'a be le pa cukta bei do pe la paris cu stati

Who gave the book to you (who is related to Paris) is smart.

The difference in the meaning is huge. In the first two examples your friend has some relation to Paris (maybe, he/she is from Paris). In the second two examples, you have this relation.

Alice is a teacher’ and ‘Alice is the teacher#

In English the verb is, are, to be makes a noun work like a verb in English. In Lojban even such concepts as cat (mlatu), person (prenu), house (dinju), home (zdani) work like verbs by default. Only pronouns work as nouns.

However, here are three cases:

la .alis. cu ctuca

Alice teaches.

la .alis. cu me le ctuca

Alice is of those who teach.

me
... is among ..., ... is one of ..., ... are members of ... (noun follows)

la .alis. ta'e ctuca

Alice habitually teaches.

ta'e
modal term: the event happens habitually

la .alis. cu du le ctuca

Alice is the teacher.

du
... is identical to ...

The particle me takes a noun after it and shows that there are probably other teachers, and Alice is one of them.

However, when using the verb du we mean that Alice is, for example, the teacher that we have been searching for or talking about.

Thus me and du can sometimes reflect what in English we use the verb to be/is/was for.

In Lojban we first rely on the meaning of what we need to say, not necessarily on how it is literally said in English or other languages.

Other examples:

mi me la .bond.

I am Bond.

mi du la .kevin.

I am Kevin (the one you needed).

ti du la .alis. noi mi ta'e zgana bu'u le panka

This is Alice, whom I habitually see in the park.

noi du and poi du are used in Lojban to introduce alternate names for something. So they correspond to English namely, i.e.:

la .alis. cu penmi le prenu noi du la .abdul.

Alice met the person, namely Abdul.

When using me you can connect several nouns with and:

tu me le pendo be mi be'o .e le tunba be mi

Those are my friends and my siblings.

tunba
x1 is a sibling of x2

We can place a tense not only before the main verb of a relation but at the end of it giving the same result:

mi ca tcidu mi tcidu ca I (now read).

tcidu
to read (some text)

When using nu we create a relation describing some event. Notice, the difference between these two examples:

le nu tcidu ca cu nandu

The current reading is complicated, difficult.

le nu tcidu cu ca nandu

The reading is now complicated.

Other examples:

mi klama le pa cmana pu

I went to the mountain.

I go to a mountain (in past).

le nu mi klama le pa cmana pu cu pluka

That I went to a mountain is pleasant.

When not using nu we don't have event relations. Nouns start with le and end in its verb (like a single or a compound verb). Thus we can insert tenses to a verb in nouns only before that verb:

le pu kunti tumla ca purdi

What was a desert is now a garden.

So pu belongs to le kunti tumla and ca belongs to purdi (as le pu kunti tumla can't add ca in the end).

This doesn't contradict with using be after the verb since with be you change the verb: bangu be mi is considered one verb.

Placing tense particles after nouns binds them to outer verbs:

le kunti tumla pu purdi

The desert was a garden.

New nouns from places of the same verb#

do posydu'a ti mi

You grant this to me.

ti se posydu'a do mi

This is granted by you to me.

posydu'a
x1 grants, gives x2 in possession to x3

We can swap the first two places round in the verb using se and thus change the place structure.

do posydu'a ti mi means exactly the same as ti se posydu'a do mi. The difference is solely in style.

You may want to change things around for different emphasis, for example, to mention the more important things in a sentence first. So the following pairs mean the same thing:

mi prami do

I love you.

do se prami mi

You are loved by me.

le nu mi tadni la .lojban. cu xamgu mi

My study of Lojban is good for me.

xamgu
... is good for (someone)

mi se xamgu le nu mi tadni la .lojban.

For me it's good to study Lojban.

The same can be dont with nouns:

le posydu'a
those who give in possession, the givers, the donors, the donators
le se posydu'a
something that is given in possession, gifts

As we know, when we add le in front of a verb it becomes a noun. So

  • le posydu'a means those which could fit in the first place of posydu'a
  • le se posydu'a means those which could fit in the second place of posydu'a

Thus, in Lojban we don't need a separate word for gift. We reuse the same verb and save a lot of effort because of such clever design. Indeed, we can't imagine a gift without implying that someone gave it or will give it. When phenomena are interconnected Lojban reflects this.

For the ease of understanding and memorizing predicate words prefixed with se are put into the dictionary in entries for many verbs together with their definitions although you can figure out their meaning yourself.

Changing other places in main verbs#

se is the first particle in the series se, te, ve, xe (they go in alphabetical order):

  • se changes round the first and second places
  • te changes round the first and third places
  • ve, the first and fourth, and
  • xe, the first and fifth.

mi zbasu le pa stizu le mudri

I made the chair out of the piece of wood.

zbasu
x1 builds, makes x2 out of x3
le pa stizu
the chair
le mudri
the piece of wood

le mudri cu te zbasu le stizu mi

The piece of wood is what the chair is made of by my friend.

The mi has now moved to the third place in the sentence, and can now be dropped out without being missed if we are too lazy to specify who made the chair or we just don't know who made it:

le mudri cu te zbasu le stizu

The piece of wood is the material of the chair.

Similarly to our example with le se posydu'a (gift) we can use te, ve, xe to get more words from other places of verbs:

klama
x1 goes to x2 from x3 via x4 by means x5

Thus, we can derive that

le klama
the comer / the comers
le se klama
the destination place
le te klama
the place of origin of the movement
le ve klama
the route
le xe klama
the vehicle

le xe klama and the fifth place of klama can denote any means of movement like a car or your feet.

se is used a lot more than the other particles for swapping places.

Free word order. Tags for places#

Usually we don't need all the places of a verb, so we can omit the unnecessary ones by replacing them with zo'e. However, we can use place tags to explicitly refer to a needed place. Place tags work like modal words but deal with the place structure of verbs:

mi prami do is the same as fa mi prami fe do

I love you.

  • fa marks the first place of a verb (x1)
  • fe - marks the second place (x2)
  • fi - marks the third place (x3)
  • fo - marks the fourth place (x4)
  • fu - marks the fifth place (x5)

More examples:

mi klama fi le tcadu

I go from the city.

fi marks le tcadu as the third place of klama (the origin of movement). Without fi, the sentence would turn into mi klama le tcadu meaning I go to the city.

mi pinxe fi le kabri is the same as mi pinxe zo'e le kabri

I drink (something) from the cup.

pinxe
x1 drinks x2 from x3

mi tugni zo'e le nu vitke le rirni

mi tugni fi le nu vitke le rirni

I agree (with someone) about visiting parents.

tugni
x1 agrees with someone x2 about x3 (proposition)
le rirni
the parent / the parents

With place tags we can move places around:

fe le cukta pu posydu'a fi mi

Someone gave a book to me.

Here

  • le cukta = the book, we put it into the second place of posydu'a, what is given
  • mi = me, we put it into the third place of posydu'a, the recipient.

As we can see in the last example we can't even reflect the order of words in its English translation.

Extensive use of place tags can make our speech harder to perceive but they allow for more freedom.

Unlike se series using place tags like fa doesn't change the place structure.


We can use place tags inside nouns by placing them after be:

le posydu'a be fi mi cu pendo mi

Who gives something to me is my friend.


Another option in placing nouns is that we can put all the nouns of one main verb in front of the verb (preserving their relative order). Because of this freedom we can say:

mi do prami which is the same as

mi prami do

I love you.

ko kurji ko is the same as

ko ko kurji

Take care of yourself.

The following sentences are also equal in meaning:

mi posydu'a le pa plise do

I give the apple to you.

mi le pa plise cu posydu'a do

I the apple give to you.

mi le pa plise do posydu'a

I the apple to you give.

Infinitives#

Infinitives are verbs that are often prefixed with "to" in English. Examples include "I like to run" with "to run" being the infinitive.

le verba cu troci le ka cadzu

The child is trying to walk.

le verba
the child, the children
troci
x1 tries to do or to be x2 (ka)
cadzu
x1 walks

The particle ka works much like nu but it indicates that the noun on the left does or would do the action following ka. It makes the first noun of the outer verb (troci in this case) also the first omitted noun of the embedded verb started by ka (cadzu in this case) so you don't have to repeat this noun the second time.

Some verbs require only infinitives in some of their places. Definitions of such words mark such places with the term "property" or ka. For example,

cinmo
x1 feels x2 (ka)

This means that the infinitive in the second place (x2) is applied to some place (most likely, the first place, x1). Cases where infinitive is applied to places other than x2 are rare and are explained for corresponding verbs or in case of verbs invented unofficially can be deduced from common sense.

Note that only the first unfilled place of the embedded relation takes the meaning of the outer place:

mi troci le ka do prami

I try to be loved by you.

tcidu
x1 reads x2 from x3

Here, the first unfilled place is the second place of prami thus it takes the value mi (I).

It is also possible by using the pronoun ce'u to explicitly mark a place that has to be applied to some outer noun:

mi troci le ka do prami ce'u

I try to be loved by you.

Another example:

mi cinmo le ka xebni ce'u

mi cinmo le ka se xebni

I feel like someone hates me.

I feel being hated.

Prenex#

Prenex is a "prefix" of relation, in which you can declare variables to be used later:

pa da poi pendo mi zo'u da tavla da

There is someone who is a friend of me such that he/she talks to himself/herself

zo'u
prenex separator
da
pronoun: variable.

The pronoun da is translated as there is something/someone ... If we use da the second time in the same relation it always refers to the same thing as the first da:

mi djica le nu su'o da poi kukte zo'u mi citka da

I wish there was at least something tasty so that I eat it.

su'o
number: at least 1

If the variable is used in the same relation and not in any embedded relations then you can omit the prenex altogether:

mi djica le nu su'o da poi kukte zo'u mi citka da

mi djica le nu mi citka su'o da poi kukte

I wish there was at least something tasty so that I eat it.

Both examples mean the same, in both cases su'o da denotes there is (were/will be) something or somebody.

However, prenex is useful and necessary when you need to use da deep inside your relation, i.e. within embedded relations:

su'o da poi kukte zo'u mi djica le nu mi citka da

There is at least somethint tasty: I wish I ate it, I want to eat it.

Notice how the meaning changes. Here, we can't omit the prenex because it will change to the meaning of the previous example.

Ine more example:

le nu pilno pa le bangu vau na ku banzu

Using just one of the languages is not enough.

pilno
... uses ...
banzu
... is enough for purpose ...

Compare it to:

le nu pilno le pa bangu vau na ku banzu

Using the language (the one in question) is not enough.

More examples:

mi tavla

I talk.

mi tavla su'o da

mi tavla da

There is someone I talk to.

By default, da as a pronoun alone means the same as su'o da (there is at least one ...) unless an explicit number is used.

da tavla da

Someone talk to themselves.

da tavla da da

Someone talk to themselves about themselves.

tavla
x1 talks to someone x2 about topic x3

pa da poi ckape zo'u mi djica le nu da na ku fasnu > There is one dangerous thing: I wish it never happens.

da doesn't imply any particular objects or events, which is often useful:

xu do tavla su'o da poi na ku slabu do

Do you talk to someone not familiar to you? (no particular person in mind is described).

.e'u mi joi do casnu bu'u su'o da poi drata

Let's discuss in another place (no particular place in mind)

Nouns of existence#

pa da poi me le pendo be mi zo'u mi prami da

There is someone who is a friend of me such that I love him/her.

Since da is used only once we are tempted to get rid of the prenex. But how to handle the relative clause poi pendo mi (who is a friend of mine)?

Thankfully, in Lojban there is a shortcut:

pa da poi me le pendo be mi zo'u mi prami da

mi prami pa le pendo be mi

There is someone who is a friend of me such that I love him/her.

Both sentences mean the same.

Nouns starting with numbers like pa le pendo (there is someone who is a friend of mine), ci le prenu (there are three people) may refer to new entities every time they are used. That's why

pa le pendo be mi ca tavla pa le pendo be mi

There is one friend of mine who talks to one friend of mine.

This sentence is not precise in telling whether it's your friend talking to himself/herself or you are describing two friends of yours such that the first one is talking to your second one.

It's more reasonable to say:

le pa pendo be mi ca tavla ri

The friend of mine is talking to himself/herself.

ri
pronoun: refers to the previous noun excluding mi, do.

Here, ri refers to the previous noun: le pa pendo altogether.

Note the difference:

  • da means there is something/someone, da always refers to the same entity when used more than once in the same relation.
  • noun like pa le mlatu (with a bare number) is similar to using pa da poi me le mlatu but it can refer to new entities every time it is used.

mi nitcu le nu pa da poi mikce zo'u da kurju mi

I need a doctor to take care of me (implying "any doctor will do").

pa da poi mikce zo'u mi nitcu le nu da kurju mi

There is a doctor whom I need to take care of me.

I have an arm.’ ‘I have a brother.#

The English verb to have has several meanings.

pa da birka mi

I have an arm.

There is something that is an arm of me

birka
x1 is an arm of x2

We use the same strategy for expressing family relationship:

pa da bruna mi

mi se bruna pa da

Someone is my brother.

I have one brother.

There is someone who is a brother of me

re le bruna be mi cu clani

I have two brothers and they are tall.

clani
x1 is long, tall

So we don't need the verb "to have" to denote such relationship. The same for other family members:

da mamta mi

mi se mamta da

I have a mother.

da patfu mi

mi se patfu da

I have a father.

da mensi mi

mi se mensi da

I have a sister.

da panzi mi

mi se panzi da

I have a child (or children).

panzi
x1 is a child, offspring of x2

Note that using a number in front of da isn't necessary if context is enough.


Another meaning of to have is to keep:

mi ralte le pa gerku

I have the dog.

I keep the dog

mi ralte le pa karce

I have the car.

ralte
x1 keeps x2 in their possesion

If you own, possess something according to some law or documents you should use ponse:

mi ponse le karce

I own the car.

ponse
x1 owns x2

Scope#

The order of terms starting with numbers and modal terms matters and is to be read left to right:

ci le pendo cu tavla re le verba

There are three friends, each talking to two children.

The overall number of children here maybe as high as 6.

By using zo'u we can make our sentence more clear:

ci da poi me le pendo vau re de poi me le verba zo'u da tavla de

For three da which are among the friends, for two de which are among the children: da talks to de.

Here we see that each of the friends is said to talk to two children, and it might be different children each time; up to six children in total.

How then are we to express the other interpretation, in which just two children are involved? We cannot just reverse the order of variables in the prenex to

re de poi me le verba vau ci da poi me le pendo zo'u da tavla de

For two de which are among the children, for three da which are among the friends, da talks to de

for although we have now limited the number of children to exactly two, we end up with an indeterminate number of friends, from three to six. The distinction is called a “scope distinction”: in the first example ci da poi me le pendo is said to have wider scope than re de poi me le verba, and therefore precedes it in the prenex. In the second example the reverse is true.

To make to scope equal we use a special conjunction ce'e connecting two nouns:

ci da poi me le pendo ce'e re de poi me le verba cu tavla

ci le pendo ce'e re le verba cu tavla

Three friends [and] two children, talk.

which picks out two groups, one of three friends and the other of two children, and says that each of the friends talks to each of the children.

The order matters with modal terms too:

mi speni

I am married, I have a wife or a husband.

mi co'a speni

I get married.

mi mo'u speni

I am widowed.

mo'u
term: the event is completed

Now compare:

mi mo'u co'a speni

I am newlywed.

I finished becoming a married person.

mi co'a mo'u speni

I get widowed.

I become finishing being married.

If there are several modal terms in one relation, the rule is that we read them from left to right, thinking it as a so called imaginary journey. We begin at an implied point in time and space (the speaker's "now and here" if no noun follows), and then follow the modal terms one after another from left to right.

Let's take mi mo'u co'a speni.

mo'u means that an event is complete. Which event? The event co'a speni - to become married. Hence, mi mo'u co'a speni means I finish the process of the becoming married, i.e. I am newlywed.

We say in such case that co'a speni is within the "scope" of mo'u.

In mi co'a mo'u speni the order or event is different.

First, it is said that an event started (co'a), then it is stated that it is an event of finishing being married. Hence, mi co'a mo'u speni means I get widowed.

We can say that here mo'u speni is within the "scope" of co'a.

Another example:

mi co'a ta'e citka

I start to habitually eat.

mi ta'e co'a citka

I habitually start to eat.

Examples with tenses:

mi pu ba klama le cmana

It happened before I went to the mountain.

I in past: in future: go to the mountain.

mi ba pu klama le cmana

It will happen after I went to the mountain.

I in future: in past: go to the mountain.

The rule of reading terms from the left to the right can be overriden by connecting terms with the conjunction ce'e:

mi ba ce'e pu klama le cmana

I went and will go to the mountain.

I in future and in past: go to the mountain.

mi cadzu ba le nu mi citka ce'e pu le nu mi sipna

I walk after I eat and before I sleep.

Like with terms the position of da matters:

mi ponse da

There is something I own.

mi co'u ponse da

I lost all my property.

ponse
x1 owns x2
co'u
modal term: the event stops

This might look like a mind-breaking example. Here, a person was able to say "I own something." But then for every thing the person owned this situation ended.

Another example:

ro da vi cizra

Everything is strange here.

Every thing here strange

vi
here, at a short distance
cizra
x1 is strange

vi ku ro da cizra

Here everything is strange.

Here: every thing strange

Did you catch that?

  1. Everything is strange here means that if something is not strange somewhere then it becomes strange at this place.
  2. Here everything is strange simply describes those objects or events that are here (and they are strange). We don't know anything about others in other places.

Another example with a noun started with a number:

pa le prenu ta'e jundi

There is one person who is habitually attentive.

- it is the same person who is attentive.

ta'e ku pa le prenu cu jundi

It habitually happends that there is one person who is attentive.

- it is always that one person is attentive. People may change but there is one always attentive.

Generic nouns. ‘I like cats (in general)’. Sets#

mi nelci le'e mlatu

I like cats.

We've seen le being mostly translated as English "the". However, in some cases we might want to describe some typical object or event that best exemplifies such type of objects or events in out context. In this case we replace le with le'e:

mi nelci le'e badna .i mi na ku nelci le'e plise

I like bananas. I don't like apples.

I might not have any bananas or apples at hand. I'm simply talking about bananas and apples as I understand, remember, or define them.

To make a noun describing the set of object or events (from which we derive such typical element) we use the word le'i:

le danlu pendo pe mi cu mupli le ka ca da co'a morsi vau le'i mabru

My pet is an example that at one point mammals die.

danlu
x1 is a mammal
morsi
x1 is dead
co'a morsi
x1 dies
ca da
at some point in time
mupli
x1 is an example of x2 (property) among x3 (set)

Dictionaries specify when places of verbs have to be filled with sets.

Masses#

lei prenu cu sruri le jubme
lei prenu cu sruri le jubme
The people surrounded the table.

lei prenu pu sruri le jubme

The people surrounded the table.

The mass of people did surround the table

We use lei instead of le to show that the mass of objects is relevant to the action but not those objects individually. Compare:

lei prenu pu smaji

The crowd was silent.

le prenu
the person, the people
lei prenu
the crowd, the mass of people
smaji
x1 is silent

le since cu sruri le garna

The snakes surrounded the rod.

Each of the snakes surrounded the rod.

— here, each snake surrounded the rod probably by curling around it.

lei since cu sruri le garna

The snakes surrounded the rod.

The snakes together as a mass surrounded the rod.

— here, we don't care about individual snakes but we state that snakes as a mass surrounded the rod.

lei re djine cu sinxa la .lojban.

The two rings is a symbol of Lojban.

na ku re le djine cu sinxa la lojban

It's not true that each of the two rings is a symbol of Lojban.

djine
x1 is a ring

Indeed, only the two rings together form a symbol.

le najgenja
le najgenja
the carrot

Consider a sentence:

Three carrots are heavy.

Does it mean that each carrot is heavy or does it mean that they are heavy if taken together?

In Lojban we can easily distinguish between these two cases:

le ci najgenja cu tilju

Each of the three carrots is heavy.

lei ci najgenja cu tilju

Three carrots are heavy in total.

(so that every carrot might be light but together they are heavy)

najgenja
x1 is a carrot
tilju
x1 is heavy

As you can see there is an important difference between describing one object of a mass or describing the mass as a whole.

Numbers in places#

le ci najgenja cu grake li 60

Each of the three carrots weigh 60 grams.

lei ci najgenja cu grake li 60

Three carrots weigh 60 grams in total.

(so that every carrots weighs 20 grams on average)

najgenja
x1 is a carrot
grake
x1 weighs x2 (number) grams

When a place of a relation requires a number as mentioned by the dictionary then to use that number we prefix it with the word li.

li is a prefix signalling that a number, a timestamp or some math expression is coming.

li mu no

Number 50.

A simple mu no not being prefixed by li would be used to denote 5 objects or events.

Raising#

mi stidi le ka klama le barja

I suggest going to the pub.

mi stidi tu'a le barja

I suggest the pub.

tu'a le barja
something about the pub

mi djica le nu mi citka pa le plise

I want to eat an apple.

mi djica tu'a pa le plise

I want an apple.

tu'a pa le plise
something about an apple
stidi
x1 suggest action x2 (property) to x3
djica
x1 desires x2 (event)

Place structure may put too much burden to specify actions or events. Sometimes we want to specify only some object in those events or places and skip describing the action or the event altogether.

In the examples above I suggest the pub. most likely implies going to the pub and I want an apple. implies eating it.

However, the Lojban verb stidi requires a property in its x2 place. Similarly, djica requires an event in its x2 place.

The short so called qualifier word tu'a before a term implies an abstraction (property, event, or proposition) but selects only this term from this abstraction skipping the rest. It can be vaguely translated as something about:

mi stidi tu'a le barja

I suggest something about the pub (maybe visiting it, meeting near it etc.).

mi djica tu'a pa le plise

I want something about an apple (probably, eating it, maybe chewing it, licking it, throwing it at your friend etc.).

When skipping abstractions only context decides what was skipped.

Lesson 3. Quoting. Questions. Interjections#

«sei»: comments to the text#

The particle sei allows to insert into a relation a comment about our attitude about what is said in that relation:

do jinga sei mi gleki

You won! (I'm happy about that!)

However:

do jinga sei la .ian. cu gleki

You won! (And Yan is happy about that!)

Like with nouns formed with le the relation formed with sei must end in a verb.

la .alis. cu prami sei la .bob. cu gleki la .kevin.

Let's add brackets to make it more easily readable.

la .alis. cu prami (sei la .bob. cu gleki) la .kevin.

Alice loves (Bob is happy) Kevin.

Alice loves Kevin (Bob is happy).

We can add more nouns to the verb with be and bei like we do for nouns:

do jinga sei mi zausku be fo la fircku

You won! (I'll post congrats on Facebook)

la fircku
Facebook
zausku
to praise

Quotation marks#

For quoting text we place quotation particle lu before the quote and place li'u after it. The result is a noun representing a quoted text:

mi cusku lu mi prami do li'u

I say "I love you."

cusku
x1 expresses/says x2 (quote) to audience x3

A nice feature of Lojban is that lu - «quote» and li'u - «unquote» marks are pronounceable. It is quite handy since in spoken Lojban you don't have to change intonation to show where a quoted text starts and ends.

However, in written text that quotes a conversation, the author often pays reader's attention to the content of quotations. In such cases sei is preferred.

We can also nest quotations, for example:

la .ian. pu cusku lu la .djein. pu cusku lu coi li'u mi li'u

Yan said "Jane said ‘Hello’ to me."

which is similar to

la .ian. pu cusku lu la .djein. pu rinsa mi li'u

Yan said "Jane greeted me."

Note that in Lojban we distinguish things and their names:

lu le munje li'u cu cmalu

"The universe" is small.

le munje na ku cmalu

The universe is not small.

le munje
the universe, world

Here, the text "the universe" is small whereas the universe is not.


Interjections and vocatives work like sei constructs:

je'u mi jinga sei ra cusku

Truly, "I won", he said.

As you can see je'u is not his words. It's your attitude to the relation. If you want to quote "je'u mi jinga" use quotation marks getting:

lu je'u mi jinga li'u se cusku ra

"Truly, I won", he said.

See the difference between the two examples?

Several common verbs related to talking:

ra pu retsku lu do klama ma li'u

She asked "Where do you go?"

mi pu spusku lu mi klama le zdani li'u

I replied "I am going home."

mi pu spuda le se retsku be ra le ka spusku lu mi klama le zdani li'u

I replied to her question by saying in reply "I am going home."

spuda
x1 replies to x2 by doing x3 (property of x1)

The remaining three verbs have identical place structure:

cusku
x1 expresses/says x2 (quote) to audience x3
retsku
x1 asks x2 (quote) to audience x3
spusku
x1 replies/says answer x2 (quote) to audience x3

«zo» — quoting one word#

zo is a quotation marker, just like lu. However, zo quotes only one word immediately after it. This means it does not have an unquote word like li'u: we already know where the quotation ends. Thus we save two syllables making our speech more concise.

zo robin cmene mi

"Robin" is my name.

My name is Robin.

cmene
x1 (quote) is a name of x2 ...

This is how you present yourself in Lojban using your Lojbanized name.If you have a name consisting of more than one verb word then use lu … li'u:

lu .robin.djonsyn. li'u cmene mi

Robin Johnson is my name.

Another way is to use me.

mi me la .robin.djonsyn.

I'm Robin Johnson.

Note that the first place of cmene is a quote, a text. Thus, we use not la (prefix for names) but lu ... li'u or zo to make a quote and fill the first place of cmene with it. Thus, mi me la robin but

zo robin cmene mi

"Robin" (quotation) is a name of me

Content questions#

English also has a number of wh- questions — who, what etc. In Lojban we use one word for all of these: ma. This is like an instruction to fill in the missing place. For example:

do klama ma

la .london.

Where are you going?

London.

ma klama la .london.

la .kevin.

Who's going to London?

Kevin.

mi posydu'a ma do

le cukta

I give what to you? (probably meaning What was it I was supposed to be giving you?)

The book.

To translate "which/what" we also use ma:

ma gugde gi'e se xabju do

le gugde'usu

In what country do you live?

USA

What is a country and is inhabited by you

USA

xabju
... (someone) inhabits ... (some place)
se xabju
... (some place) is inhabited by ... (someone)

mo is like ma, but questions the main verb, not a noun — it's like English What does x do? or What is x? (remember, Lojban doesn't force you to distinguish between being and doing!)

We can see mo as asking someone to describe the relationship between the nouns in the question.

do mo

How do you do? What's up?

—You are what, you do what? [literally]

This is the most common way of asking How do you do?, Howdy? in Lojban. Some possible answers:

mi gleki

I'm happy.

gleki
x1 is happy

mi kanro

I'm healthy.

mi tatpi

I'm tired.

mi gunka

I'm working.

Another way of asking How do you do?:

do cinmo le ka mo

How do you feel (emotionally)?

cinmo
x1 feels x2 (property of x1)

Other examples:

ti mo

What is this?

la .meilis. cu mo

Who is Mei Li? / What is Mei Li? / What is Mei Li doing?

Possible answers depending on context:

  • ninmu: She's a woman.
  • jungo: She's Chinese.
  • pulji: She's a police officer.
  • sanga: She's a singer or She's singing.

do mo la .kevin.

What are you to Kevin?

You are what (you do what) to Kevin.

The answer depends on the context. Possible answers to this question are:

  • nelci: I like him.
  • pendo: I am his friend
  • prami: I adore/am in love with him.
  • xebni: I hate him.
  • fengu: I'm angry with him.
  • cinba: I kissed him.

Note once again that the time is not important here: just as cinba can mean kiss, kissed, will kiss and so on, mo does not ask a question about any particular time.

To differentiate between to do and to be someone or something we use additional verbs with ma:

la meilis cu zukte ma

Mei Li does what?

la meilis cu zukte le ka lumci

Mei Li is does cleaning.

zukte
x1 does x2 (property of x1)
lumci
to clean (something)

do du ma

You are who?

mi du le ctuca

I am the teacher.

Using modal terms with ma can give us other useful questions:

word meaning [literally]
ca ma When? during what
bu'u ma Where? at what
ma prenu gi'e ... Who? who is a person and ...
ma dacti gi'e What? (about objects) what is an object and ...
ri'a ma Why? because of what
pe ma Whose? Which? About what? pertaining to what or whom
le mlatu poi mo Which cat? Which kind of cat?

pe ma is attached only to nouns:

le penbi pe ma cu zvati le jubme

Whose pen is on the table?

Number questions#

le xo prenu cu klama ti

How many people are coming here?

mu

Five.

The word xo means How many? and thus asks for a number. The full answer will be:

le mu prenu cu klama ti

The 5 people are coming to this place.

So the person being asked is supposed to put an appropriate value in place of xo.

A few more examples:

le xo botpi cu kunti

How many bottles are empty?

do ralte le xo gerku

How many dogs do you keep?

Verbs of facts#

Consider the example:

mi djuno le du'u do stati

I know that you are smart.

djuno
x1 knows x2 (proposition) about x3

mi jimpe le du'u do pu citka

I understand that you were eating.

jimpe
x1 understands x2 (proposition) about x3

In places that describe facts the particle du'u is used (instead of nu).

djuno (to know) and jimpe (to understand) describe facts. It'd be stupid to say I understand that you were eating but in fact you weren't.

Note that the relation started with du'u doesn't have to be true:

le du'u do mlatu cu jitfa

That you are a cat is false.

jitfa
x1 (proposition) is false

Where to use du'u and whereto use nu? You may look into the dictionary:

  • The label (du'u) or (proposition) marks places where du'u is recommended.
  • The label (nu) or (event) marks places where nu is recommended.

If by mistake you use nu instead of du'u you will still be understood. But usually people speaking fluent Lojban distinguish these particles.

Indirect questions#

mi djuno le du'u ma kau tadni la .lojban.

I know who is studying Lojban.

This is called an indirect question. The word who here is not a request for information, there's no question mark. The answer is presumed. In fact you yourself know the answer to the question Who is learning Lojban?

kau is an interjection that we put after a question word telling that its an indirect question.

If I ask you the question ma tadni la .lojban., you know what value to fill in the ma slot with: la .kevin. So you could just say

ma tadni la .lojban.

Who is studying Lojban?

mi djuno le du'u ma kau tadni la .lojban.

I know who is studying Lojban. I know the identity of the person studying Lojban.

mi djica le nu ma tadni la .lojban.

Who do I want to study Lojban?

I want who to study Lojban?

This can never be an indirect question: it is asking for an answer (even if you're doing it rhetorically).

You can put it after other question words:

mi djuno le du'u le xo kau prenu cu tadni la .lojban.

I know how many people study Lojban.

Indirect quotations (reported speech)#

A relation like Alice said "Michelle said “Hello” to me" can also be expressed in a rather more subtle way:

la .alis. pu cusku zo'e pe le nu la .micel. pu rinsa le ninmu

Alice said something about Michelle greeting her before.

Alice said something about the event of Michelle greeted her.

or a bit shorter:

la .alis. pu cusku le se du'u la .micel. pu rinsa le ninmu

Alice said that Michelle had greeted her.

The combination se du'u allows expressing indirect speech.

Here are the examples of verbs related to talking when using reported speech:

le ninmu pu retsku le se du'u mi klama ma kau

She asked where I was going.

mi pu spusku le se du'u mi klama le zdani

I replied that I was going home.

mi pu spuda le se retsku be le ninmu le ka spusku le se du'u mi klama le zdani

I replied to her question by saying in reply that I was going home.

Questions in reported speech:

mi pu cusku le se du'u ma tadni la .lojban.

Who did I say is studying Lojban?

I said who is studying Lojban?

Thus, Lojban has several words for that…, depending on what sort of thing is meant.

  • If that describes what can be seen, heard, what happens, use nu.
  • If that describes what you think, some fact or information, use du'u.
  • If that describes what you say, use se du'u.
  • But if you need a literal quote use lu … li'u.

Emotional interjections#

We know such interjection as .a'o (I hope). There are interjections expressing other emotional states. They are similar to smileys like ;-) or :-( but in Lojban we can be more specific about our emotions still remaining concise in our speech.

Here are examples of widely used emotional interjections:

do jinga ui

You won! (I'm happy about that!)

ui
interjection: Yay!, interjection of happiness

Interjections work like sei with their relations. ui means the same as sei mi gleki so we could as well say do jinga sei mi gleki meaning the same (although it's a bit more lengthy).

ie tu mlatu

Yes, that is a cat.

ie nai .i tu na ku mlatu

No, I don't agree. That is not a cat.

ie
interjection: Yeah! Aye! (agreement)
ie nai
interjection: disagreement

.ai mi vitke do

I'm going to visit you.

.ai
interjection: I'm going to… (intent)

.au do kanro

I wish you were healthy.

.au
interjection of desire

.a'o do clira klama

I hope you come early.

.a'o
interjection: I hope

.ei mi ciska le xatra

I should write a letter.

.ei
I should … (obligation)

i'e do pu gunka le vajni

Very good! You did an important work.

i'e
interjection: Fine! (approval)

.o'u tu mlatu

Oh, that's only a cat.

.o'u
interjection: Phew! (relaxation)

In this case you probably thought that was something dangerous but it's only a cat so you are saying .o'u.

.u'i ti zmiku

Ha-ha, this is a robot.

.u'i
interjection: Ha-ha! (amusement)

You can add or remove interjections to/from a sentence without the risk of breaking it.

Any word that starts with a pure vowel (excluding u and i before vowels) is prefixed with a dot in Lojban in writing and with a puase in speech. So the correct spelling is .a'o and so on. It's common to omit dots. We will do this later in this course for brevity. However, while speaking you should always show this dot by making a short pause before saying such word to prevent merging two neighboring words together into one.

Like with xu or sei-relations we can add interjections after any noun, pronoun or verb thus expressing our attitude towards that part of the sentence.

Urging interjections#

A special group of interjections (in English called "imperative/hortative" interjections) make instigations, commands, requests. among which we already know .e'o:

.e'a do klama le nenri

You may come in.

.e'a
interjection: I allow, you may … (permission)
le nenri
the interior, what is inside

.e'ei do zukte

C'mon, do it!

.e'ei
interjection: Come on! (encourgament, instigation, provokation). Not an official word

.e'o mi ciksi da poi mi cusku djica

Please, let me explain what I want to say.

.e'o
interjection: Please … (request)

.e'i do zutse doi le verba

Sit down, child!

.e'i
interjection: Do that! (command)

.e'u do pinxe le jisra

I suggest that you drink the juice. You'd better drink the juice.

.e'u
interjection: Let's (suggestion)

«ko» for quicker urges#

do bajra

You run.

bajra

Someone runs.

In English the verb itself is a command:

Run!

In Lojban bajra as a sentence means Someone runs (or is running / was running and so on depending on context). bajra can also mean a command Do run! but sometimes context isn't enough to make you decide whether it's an urge to run or simply a statement of the fact that someone runs or is running.

The pronoun ko is used instead of do to make requests, suggestions, commands.

ko bajra

Run! Do run! Do it so that you run!

ko is simply a more vague alternative to do .e'o, do .e'u, do .e'i.

It's perfectly fine to say a more precise

do .e'o bajra

You, please run!

putting the emphasis in our politeness onto do (you).

Moving ko in a relation moves command/request to that part, for example:

nelci ko

Make it so you are liked by someone!

nelci
... likes ... (something or someone)

As you can see we have to restructure this relation in English which still sounds weird, but you could use it in Lojban in the sense of Try to make a good impression.

Note that prami corresponds to English to love while nelci corresponds to English to like.

We can even have several ko in one sentence:

ko kurji ko

Take care of yourself.

kurji
... takes care of ... (someone or something)

Discursive interjections#

.i mi venfu do .e ji'a le cmalu gerku pe do

I'll get you and your little dog, too!

ji'a
additionally, also, means that there exist others who also are the same (you in this case) or who do the same.

mi si'a nelci do

I too like you

mi nelci le'e mlatu

mi si'a nelci le'e mlatu

I like cats.

I like cats too (Me too).

si'a
similarly, too, denotes that something is similar while being different in other unmentioned aspects.

Structure of interjections: «nai», «sai», «pei», «dai»#

Interjection can consist of

  1. the root like ui (Yay!)
  2. then suffixes like pei, dai, zo'o:

    ui zo'o

    Yay! (kidding, I'm not actually happy)

  3. both the root and each of the suffixes can be modified with scalar particles like nai:

    ui nai

    Alas!

    ui nai zo'o

    Alas! (kidding, I'm not serious in this feeling)

    ui nai zo'o nai

    Alas, I'm not kidding, I feel unhappy

Some examples of how scalar particles work.

  1. ju'o = interjection: I'm sure (certaintty)
  2. ju'o cu'i = interjection: maybe, perhaps (uncertainty)
  3. ju'o nai = interjection: I have no idea!

Common examples of interjections:

  • interjection with bare root:

ju'o le bruna co'i klama

I'm sure, the brother has come.

  • scalar particle cu'i turns bare interjection into the middle attitude:

ju'o cu'i le bruna co'i klama

Maybe the brother has come, I'm not sure.

  • scalar particle nai turns interjection into the opposite attitude:

ju'o nai le bruna co'i klama

Maybe the brother has come, maybe not, I have no idea

  • Similarly, ui is Whee! Yay! while ui nai means Alas!
  • Precise meanings of interjections that are meaningful with their scalar particles cu'i and nai are given in the dictionary.

  • scalar particle sai denotes strong intensity of interjection:

.u'i sai

Ha-ha-ha!

Vocatives too can be modified with scalar particles:

ki'e sai do

Thank you a lot!

Suffixes are added after the root of interjection (together with its scalar particles if we used them):

  • interjection suffix pei turns interjection into a question.

.au pei do e mi klama le zarci

.au cu'i

Do you want that you and I go to the store?

Meh, I don't have any preferences.

ie pei tu melbi

ie

That one is pretty, isn't it?

Yeah.

  • interjection suffix dai shows another's feelings, not feelings of the speaker:

ui nai dai do na ku co'i jinga

You must be sad, you haven't won.

.a'u

That's interesting!

.a'u dai

That must have been interesting for you!

  • Bare interjections express the attitude of the speaker. ei do cliva means not You ought to leave, but I feel the obligation for you to leave. dai shows that the speaker is empathizing someone else's feelings.

.ei dai do cliva

You feel the obligation for yourself to leave.

Note that interjections don't necessarily show attitude towards the speakers themselves. Instead, they express speakers' attitude towards other things.

  • interjection suffix zo'o marks the attitude as expressed not seriously:

e'u zo'o do pinxe ti

I suggest that you drink it (kidding).

zo'o is used just like the smiley-face in e-mail, to indicate that you're being humorous when saying something, and it's used for much the same reason. Although, simleys can be ambiguous, and zo'o has only one meaning, which is handy.

  • Suffixes can also be modified with scalar particles:

ie zo'o nai

I agree (not kidding).

zo'o nai is used to show that the information is not a joke:

  • Suffixes can be used on its own:

  • pei when used alone asks for any interjection that the listener would feel appropriate:

    pei le lunra cu crino

    .ie nai

    The moon is green (what is your feeling about it?)

    I disagree.

  • For other suffixes they mean that the root interjection ju'a (I state) was omitted:

zo'o do kusru

ju'a zo'o do kusru

You are cruel (kidding).

ju'a
interjection: I state (don't confuse it with ju'o (I'm sure))

Just for reference: interjections in a table#

Here is a bigger picture: emotional, urging and some other interjections in series.

.au
Wish ...
.ai
I'm gonna...
.ei
It should be...
.oi
Ouch!
.au cu'i
meh
indifference
.ai cu'i
indecision
.ei cu'i .oi cu'i
.au nai
Nuh-uh!
disinclination, reluctance
.ai nai
unintentionally, accidentally
.ei nai
freedom, how things might need not be
.oi nai
pleasure
Emotion ua
"wah" as in "won", "once"
Aha! Eureka!
ue
"weh" as in "wet"
What a surprise
ui
"weeh" as "we"
hooray!
uo
"woh" as in "wombat", "what"
voila!
uu
"wooh" as "woo"
oh poor thing
ua cu'i
 
ue cu'i
I'm not really surprised
ui cu'i
 
uo cu'i
 
uu cu'i
 
ua nai
Duh! I don't get it!
confusion
ue nai
expectation, lack of surprise
ui nai
Alas!
feeling unhappy
uo nai
feeling incomplete
uu nai
Mwa ha ha!
cruelty
Emotion ia
"yah" as in "yard"
I believe
ie
"yeh" as in "yes"
aye! agreed!
ii
"yeeh" as in "hear ye"
yikes!
io
"yoh" as in "yogurt"
respect
iu
"yooh" as in "cute, dew"
I love it
ia cu'i
 
ie cu'i
 
ii cu'i
 
io cu'i
 
iu cu'i
 
ia nai
Pshaw!
disbelief
ie nai
disagreement
ii nai
I feel safe
io nai
disrespect
iu nai
hatred
Emotion .u'a
"oohah" as in "two halves"
gain
.u'e
"ooheh" as in "two heads"
what a wonder!
.u'i
"ooheeh" as in "two heels"
hahaha!
.u'o
"oohoh" as in "two hawks"
courage
.u'u
"oohooh" as in "two hoods"
sorry!
.u'a cu'i
 
.u'e cu'i
 
.u'i cu'i
 
.u'o cu'i
shyness
.u'u cu'i
 
.u'a nai
loss
.u'e nai
Pff!
commonplace
.u'i nai
Blah
weariness
.u'o nai
cowardice
.u'u nai
 
Attitude .i'a
"eehah" as in "teahouse"
ok, I accept it
.i'e
"eeheh" as in "teahead"
I approve!
.i'i
"eeheeh" as in "we heat"
I'm with you in that
.i'o
"eehoh" as in "we haw"
thanks to it
.i'u
"eehooh" as in "we hook"
familiarity
.i'a cu'i
 
.i'e cu'i
non-approval
.i'i cu'i
 
.i'o cu'i
 
.i'u cu'i
 
.i'a nai
resistance
.i'e nai
Boo!
disapproval
.i'i nai
feeling antagonism
.i'o nai
envy
.i'u nai
unfamiliarity
Attachment to situation .a'a
"ahah" as "aha"
I'm listening
.a'e
"aheh"
alertness
.a'i
"aheeh" as in "Swahili"
oomph!
effort
.a'o

I hope
.a'u

hm, I wonder...
.a'a cu'i
inattentively
.a'e cu'i
 
.a'i cu'i
no special effot
.a'o cu'i
 
.a'u cu'i
Ho-hum
disinterest
.a'a nai
avoiding
.a'e nai
I'm tired
.a'i nai
repose
.a'o nai
Gah!
despair
.a'u nai
Eww! Yuck!
repulsion
Urging .e'a
"ehah"
you may
.e'ei
"ehey"
come on, do it!
.e'i
"eheeh"
do it!
.e'o
"ehoh"
please, do it
.e'u
"ehooh"
I suggest
.e'a cu'i
 
.e'ei cu'i
 
.e'i cu'i
 
.e'o cu'i
 
.e'u cu'i
 
.e'a nai
prohibiting
.e'ei nai
expressing discouragement, demoralization
.e'i nai
 
.e'o nai
offering, granting
.e'u nai
warning, disadvise
Emotion .o'a
"ohah"
pride
.o'e
"oheh"
I feel it at hand
.o'i
"oheeh"
danger!
.o'o
"ohoh" as in "sawhorse"
patience
.o'u
"ohooh"
relaxation
.o'a cu'i
modesty, humility
.o'e cu'i
 
.o'i cu'i
 
.o'o cu'i
mere tolerance
.o'u cu'i
composure, balance
.o'a nai
How embarrassing.
It makes me ashamed.
.o'e nai
distance
.o'i nai
rashness, recklessness
.o'o nai
impatience, intolerance
.o'u nai
stress, anxiety

Note how an emotion changes to its opposite with nai and to the middle emotion using cu'i.

Why are some cells of interjections with cu'i and nai empty? Because English lacks concise ways of expressing such emotions.

What is more, most of such interjections are used quite seldom.

These tables might help you understand their design.

Combining interjections#

iu ui nai

I am unhappily in love.

ue ui do jinga

Oh, you won! I'm so happy!

jinga
... wins

In this case the victory was unprobable, I'm surprised and happy at the same time.

Interjections (unlike scalar particles and interjection suffixes) don't modify each other:

ue ui do jinga

ui ue do jinga

Oh, you won! I'm so happy!

Here two interjections modify the same construct (the whole sentence) but they don't modify each other so their order is not important.

pei .u'i le gerku cu sutra plipe

(What do you feel?) Heh, the dog is quickly jumping.

Here pei is used alone and doesn't modify .u'i which is put after it.

Forgot to put an interjection at the beginning?#

do pu sidju mi ui

You help me (yay!)

ui modifies only the pronoun mi putting the attitude only to me.

ui do pu sidju mi

Yay, you helped me.

What if we forgot to add ui at the beginning of this relation?

We can explicitly label the relation as complete with vau and then put the interjection:

do pu sidju mi vau ui

You helped me, yay!

Lesson 4. Practice#

Now we know most crucial parts of the grammar and can start accumulating new words through situations.

Colloquial expressions#

Here are some common structures used by fluent speakers of Lojban + examples illustrating their usage.

They may help you get used to colloquial Lojban faster.

.i ku'i
But...

mi djuno .i ku'i mi na ku djica

I know. But I don't want.

mi djica le nu
I want that ...

mi djica le nu mi sipna

I want to sleep.

I want that I sleep.

mi djuno le du'u ma kau
I know what/who ...

mi djuno le du'u ma kau smuni zo coi

I know what is the meaning of coi.

mi na ku djuno

I don't know.

jinvi le du'u
... has an opinion that ...

mi jinvi le du'u la .lojban. cu zabna

I think that Lojban is cool.

coi ro do

Hello, everyone!

co'o ro do

Bye, everyone!

.ai mi
I'm going to ...

ai mi cliva .i co'o

I'm going to leave. Bye!

.ei mi
I should ...

.ei mi citka .i co'o

I should eat. Bye!

ca le nu
when ...

mi pu bebna ca le nu mi citno

I was stupid whne I was young.

va'o le nu
provided that ...

va'o le nu do djica vau mi ka'e ciksi

If you want I can explain.

simlu le ka
... seems to be ...

simlu le ka zabna

It seems to be cool.

ca le cabdei
today

ca le cabdei mi surla

Today I rest.

mi nelci
I like

mi nelci le mlatu

I like the cat.

le nu pilno
using ...

na ku le nu pilno le vlaste cu nandu

Using dictionaries isn't hard.

kakne le ka
capable of ...

xu do kakne le ka sutra tavla

Are you able to talk quickly?

tavla fi
talk about ...

.e'ei tavla fi le skami

Let's talk about computers!

mutce le ka
very ...

mi mutce le ka se cinri

I am very interested.

troci le ka
... tries to ...

mi troci le ka tavla fo la .lojban.

I am trying to talk in Lojban.

rinka le nu
(event) leads to ...

le nu mi tadni la .lojban. cu rinka le nu mi jimpe fi do

That I study Lojban makes me understand you.

gasnu le nu
(agent) causes ...

mi pu gasnu le nu le skami pe mi co'a spofu

I made it so that my computer got broken.

xusra le du'u
assert that ...

xu do xusra le du'u mi na ku drani

Do you state that I am not right?

mi na ku kanpe

I am not sure.

A simple dialogue#

coi la .alis. Hi, Alice!
coi la .doris. Hi, Doris!
do mo? How are you? The question mark is used here for stylistic purposes.
mi kanro
.i mi ca tadni la .lojban.
.i mi troci le ka tavla do
I'm healthy.
I now study Lojban.
I'm trying to talk to you.
kanro = to be healthy
tadni = to study ... (something)
troci = to try ... (to do something)
tavla = to talk [to someone]
zabna
.i ma tcima ca le bavlamdei?
Good.
What will be the weather tomorrow?
zabna = to be nice, cool
tcima = is the weather
ca = at (some time)
le bavlamdei = tomorrow day
mi na ku djuno
.i le solri sei mi pacna
I don't know.
It'll be sunny, I hope.
djuno = to know (fact)
le solri = the sun
Note that le solri cu tcima (literally the sun is the weather) is the way of using tcima in Lojban.
sei = comment starts
pacna = to hope (for some event)
mi jimpe I understand.
co'o Goodbye.

Human senses#

Verbs related perception will be explained after the dialogue.

ju'i la .alis.

Hey, Alice!

ju'i
vocative that draws attention: "Hey! Psst! Ahem! Attention!"

re'i

Listening.

re'i
vocative: "I'm ready to receive information"

xu do viska ta

Do you see that thing near you?

In English we say Сan you see, in Lojban we say just xu do viska - You see?

je'u .i plise

.i le plise cu xunre .i skari le ka xunre

Yes. It is an apple. The apple is red.

It's colored red.

plise
... is apple

xu do viska le tarmi be le plise

Can you see the form of the apple?

je'u .i le plise cu barda

Yes. The apple is big.

xu do jinvi le du'u le plise ca makcu

Do you think that the apple is ripe?

makcu
... is ripe

.au mi zgana le sefta be le plise

I'd like to palpate it.

.i ua xutla

Oh, it is smooth.

.i mi pacna le nu makcu ie

I hope that it is ripe, yeah.

panci pei

What about the smell?

.i .e'o do sumne le plise

Please, smell it.

le xrula cu panci

It smells of flowers.

.i .au mi zgana le vrusi be le plise

I'd like to taste the apple.

.i .oi nai le kukte cu vrusi

Yum, it tastes sweet.

.i .oi

Oh-no.

le xrula
the flower(s)

ma pu fasnu

What happened?

mi pu farlu fi le ve'i cmana

I fell down from the hill.

xu do cortu

Do you feel pain?

je'u .i mi cortu le cidni

Yes, I feel pain in the knee.

.i na ku ckape

It's not dangerous.

.i ca ti mi gasnu le nu da vi zvati

And now I can sense a presence of someone here.

doi la .alis. do cliva .e'o sai

Alice, please, return immediately!

ko denpa .i mi ca tirna le sance

Wait, I can hear some sound.

le sance be ma

A sound of what?

mi pu tirna le nu le prenu cu tavla

I heard a person talking.

.i ca ti mi zgana le lenku

Now I feel cold.

ju'i la .alis.

Hey, Alice!..

In this dialogue most important verbs for human senses have been used. Here are their place structures together with more verbs and more examples.

Vision#

viska
x1 sees x2 (object, form, color)
skari
x1 is an object with the color x2 (property)
tarmi
x1 is the form of x2

mi viska le plise

I see the apple.

mi viska le tarmi be le plise

I see the form of the apple.

.i le plise cu se tarmi le cukla

The apple is round.

.i le plise cu skari le ka xunre

The apple is colored red.

Notice that we can both say see the form of the apple and see the apple.

Hearing#

tirna
x1 hears x2 (object or sound)

mi tirna le palta

I hear the plate

mi tirna le sance be le palta poi ca'o porpi

I hear the sound of a plate that is falling.

.i le palta cu se sance le cladu

It sounds loud.

le palta
the plate
cladu
x1 is loud
tolycladu
x1 is quite in sound
tonga
x1 is a tone of x2

We can use cladu and similar words directly:

mi tirna le cladu

I hear something loud.

mi tirna le tolycladu

I hear something quite in sound.

mi tirna le tonga be le palta poi farlu

I hear the tone of the plate falling down.

Similarly to vision, we can say hear a sound and hear something producing the sound:

ma sance gi'e se tirna do

What sound do you hear?

le zgike

The music.

do tirna le sance be ma

You hear a sound of what?

le plise poi co'i farlu

The apple that has fallen down.

Perception in general#

We can also use the vague ganse - to sense stimulus.

ganse
x1 senses stimulus x2 (object, event) by means x3
ganse le glare
to feel the heat
ganse le lenku
to feel the cold

mi ganse le plise

I sense the apple.

For observing our perceptions we can use zgana:

mi zgana le tarmi be le plise

I observer the form of an apple.

.i le plise cu se tarmi le'e cukla

The apple is round.

zgana
x1 notices, observes, watches x2. Not limited to vision

Some words can be used with different sensory verbs. For example, we can

viska le sefta
to see the surface
zgana le sefta
to palpate the surface

Sense of smell#

sumne
x1 smells x2 (odor)
panci
x1 is an odor of x2 (object)

mi sumne le xrula

I smell the flower.

mi sumne le panci be le za'u flora

I smell the odor of flowers.

mi sumne le panci be le plise

I smell the odor of the apple.

.i le plise cu se panci le xrula

The apple smells of flowers.

Note that English confuses smelling an odor and smelling an object that produces that odor. We say to smell the apple, the apple smells of flowers (has the scent of flowers). This two-fold distinction is important because an apple produces aromatic particles that are distinct from the apple itself. The same for a falling plate and its sound — we may not want to mix them.

In Lojban we can easily separate between those cases like shown in the examples above.

Sense of taste#

vrusi
x1 is a taste of x2

mi zgana le vrusi be le plise

I taste the apple.

I observe the taste of the apple

.i le plise cu se vrusi le kukte

The apple tastes sweet.

Sense of touch#

sefta
x1 is a surface of x2

mi zgana le sefta be le plise

I palpate, touch-feel the surface of the apple.

.i le plise cu se sefta le xutla

The apple has a smooth surface.

Pain#

mi cortu le birka be mi

I feel pain in my arm.

My arm hurts.

mi cortu le cidni

I feel pain in my knee, my knee hurts.

cortu
x1 feels pain in x2 (organ, part of x1's body)
cidni
x1 is a knee of x2

Colors#

Different language use different sets of words to denote colors. Some languages just use compare the color of objects with colors of other "prototype" objects. In Lojban we use all the options:

ti xunre

This is red.

xunre
x1 is red

ti skari le ka xunre

This is red. This has the color or red things.

ti skari le ka ciblu

This has the color of blood.

le ciblu
the blood

Below are some examples with colors that follow those of English language. Other verbs for colors can be used, they would reflect how people speaking other languages are used to classify things.

le tsani cu xunre ca le cerni

The sky is red in the morning.

le tsani
the sky

.i le solri cu simlu le ka narju

The sun seems to be orange.

le solri
the Sun
simlu
x1 looks like x2 (property of x1)

.i le pelxu flora cu se farna le solri

Yellow flowers are oriented towards the Sun.

se farna
x1 is oriented towards x2
farna
x1 is the direction of x2

.i le pezli be le tricu cu crino

Leaves of trees are green.

pezli
x1 is a leaf of x2
le tricu
tree

.i mi zvati le korbi be le blanu xamsi

I am at the border of a blue sea.

zvati
... is present at ...
korbi
x1 is the border of x2
le xamsi
sea

.i mi catlu le prenu noi dasni le zirpu taxfu

I look at a woman who wears the violet dress.

dasni
x1 wears x2 (something)
xunre
x1 is red
narju
x1 is orange
pelxu
x1 is yellow
crino
x1 is green
blanu
x1 is blue
zirpu
x1 is violet

Other useful verbs:

le gusni be le manku pagbu pu na ku carmi

The light illuminating dark areas was not intense.

le gusni be fi le solri pu carmi

The light from the Sun was intense.

gusni
x1 is a light illuminating x2 from the light source x3
carmi
x1 is intense, bright
manku
x1 is dark

Emotions: «cmila» - ‘to laugh’. «cisma» - ‘to smile#

coi

.i ma nuzba

.i do simlu le ka badri

Hi.

What are the news?

You seem to be sad.

badri
x1 is sad about x2

mi steba le nu le bruna be mi co'a speni le ninmu

I am frustrated that my brother gets married a woman.

steba
x1 feels frustration about x2

mi se cfipu

.i xu do na ku gleki le nu le bruna co'a speni

I am confused.

You are not happy that the brother gets married?

se cfipu
x1 is confused about x2
gleki
x1 is happy about x2

ie

.i le ninmu cu pindi

.i le ninmu na ku ponse le jdini

.i mi na ku kakne le ka ciksi

Yeah.

The woman is poor.

She doesn't have money.

I am not able to explain.

le jdini
the money
kakne
x1 is capable of x2 (property of x1)

ua

.i la'a do kanpe le nu le ninmu na ku prami le bruna

Ah!

Probably, you expect that the woman doesn't like the brother.

la'a
interjection: probably, it's likely
kanpe
x1 expects x2 (some event )

mi terpa le nu le ninmu ba tarti le xlali

.i ku'i le bruna cu cisma ca ro nu ri tavla le ninmu

.i ri ta'e cmila

I am afraid that she will behave bad.

But the brother smiles every time he talks to her.

And she usually laughs.

terpa
x1 fears x2
cisma
x1 smiles
cmila
x1 laughs

mi kucli le nu le ninmu cu prami le bruna

I wonder whether the girl likes the brother.

kucli
x1 is curious of x2

mi na ku kanpe

I don't expect that.

kanpe
x1 expects that x2 (event) happens

ko surla

Relax!

surla
x1 relaxes by doing x2 (property of x1)
cinmo
x1 feels emotion x2 (property of x1)
nelci
x1 likes x2
manci
x1 feels awe or wonder about x2
fengu
x1 is angry about x2
xajmi
x1 thinks x2 is funny
se zdile
x1 is amused by x2
zdile
x1 is amusing
djica
x1 desires x2
pacna
x1 hopes that x2 is true

Health#

ca glare

It's hot now.

.i ku'i mi ganse le lenku

But I feel cold.

ku'i
interjection: but, however

xu do bilma

Are you ill?

je'u

Yes.

xu do bilma fi le vidru

.i .e'u do klama le mikce

Do you have a virus? I suggest you go to a doctor.

le vidru
the virus
le mikce
doctor

mi bilma le ka cortu le galxe

.i mi sruma le du'u mi bilma fi la .zukam.

My symptoms is that my throat aches.

I assume that I have a cold.

cortu
x1 has pain in x2 (organ, part of x1's body)
la .zukam.
common cold (disease)

ko kanro

Get well!

kanro
x1 is healthy

ki'e

Thanks.

bilma
x1 is ill or sick with symptoms x2 from disease x3

Note that the second place of bilma describes symptoms like le ka cortu le galxe = to have pain in the throat

The third place is the name of the disease leading to those symptoms: Obviously, you may fill any place of bilma.

Human body#

le nanmu cu se xadni le clani

The man has a long body. The man is tall.

se xadni
x1 has the body x2
xadni
x1 is the body of x2

mi pu darxi fi le stedu .e le zunle xance

.i ca ti le degji be le xance cu cortu

.i ku'i le pritu xance na ku cortu

I hit something with the head and the left hand. Now the finger of the hand hurts. But the right hand doesn't hurt.

darxi
x2 hits x2 with x3

Most of words for parts of body have the same place structure as xadni:

stedu
x1 is a head of x2

However, some describe smaller parts:

degji
x1 is a finger/toe on part x2 (hand, foot)

le degji be le xance be le ninmu cu clani

The woman's fingers are long.

Digits of hand of the woman are long

mi viska le jamfu .i ku'i mi na ku viska le degji be le jamfu

I can see the feet. But I don't see its toes.

janco
x1 is a joint attaching limbs x2
ctebi
x1 is a lip of mouth, orifice x2
cidni
x1 is a knee or elbow of limb x2

Kinship#

coi do mi se cmene zo .adam.

.i ti du la .alis.

.i ri speni mi

Hello to you. I am called "Adam".

This is Alice.

She is my wife.

pluka fa le ka penmi do

.i .e'o do klama le nenri be le dinju

Pleasure to meet you.

Please, come into the house.

ki'e

Thanks.

.i .au gau mi do co'a slabu le lanzu be mi

.i le re verba cu panzi mi

.i le tixnu cu se cmene zo .flor.

.i la .karl. cu du le bersa

I'd like you to get to know my family.

The two children are my offspring.

The daughter is called "Flor".

Karl is the son.

la .karl. cu mutce citno

Karl is very young.

ie

Yeah.

.i ji'a mi se tunba re da noi ca na ku zvati le dinju

.i sa'e mi se tunba le pa bruna .e le pa mensi

Also I have two siblings who are now not in the house.

To be precise, I have a brother and a sister.

ue

.i le lanzu be do cu barda

Wow!

Your family is large.

je'u pei

Really?

The verbs for names of family members have a similar place structure:

speni
x1 is a husband/wife of x2

co'a speni means to get married:

mi co'a speni la .suzan.

I married Susan.

lanzu
x1 is a family including x2
panzi
x1 is a child of x2
tixnu
x1 is a daughter of x2
bersa
x1 is a son of x2
tunba
x1 is a sibling (brother/sister) of x2
bruna
x1 is a brother of x2
mensi
x1 is a sister of x2

Note that panzi can be applied to grown-up children of someone

verba
x1 is a child, immature person of age x2 (event)
panzi
x1 is a child, offspring of x2

verba doesn't necessarily talk of it as of a family member:

le bersa be le pendo be mi cu verba le nanca be li ci

The son of my friend is a child of three years old.

citno
x1 is young
laldo
x1 is old, aged

Pairs of traditional words (for humans only):

le ninmu
woman / women
le nanmu
male man / male men
le nixli
the girls
le nanla
the boys
le remna
the humans

Note that le prenu means the people, the persons. In fairy tales and fantastic stories not only humans (le remna) but animals or alien beings from other planets can be persons.

These words can be used for describing genetically determined sex (both in animals and humans) as opposed to gender:

le fetsi
the female
le nakni
male

These word describe parental (not necessarily genetic) relations:

mamta
x1 is a mother of x2, x1 acts maternally
patfu
x1 is a father of x2
rirni
x1 is a parent of x2, x1 raises x2

In the shop#

ue

do pu te vecnu le laldo karce

Wow!

You bought an old car.

ie

.i ku'i mi na ku pu pleji le so'i jdini

Yeah.

But I didn't pay much money.

ma pu jdima le karce

What was the price of the car?

mi pu pleji le rupnusudu be li pa ki'o le kagni le karce

I paid a thousand dollars to the company for the car.

mi pu vecnu le laldo karce pe mi le pendo be mi

.i le pendo pu pleji le rupne'uru be li re ki'o mi le karce

I sold an old car of mine to my friend.

The friend paid 2 000 euro for the car.

ki'o
comma between digits so that pa ki'o is 1, 000 (one thousand)
vecnu
x1 sells x2 to x3
te vecnu
x1 buys x2 from x3
pleji
x1 pays x2 to x3 for x4
jdima
x1 is the price of x2
jdini
x1 is money
rupnusudu
x1 costs x2 US dollars
rupne'uru
x1 costs x2 euro

Shop, buildings#

ma stuzi le zdani be do

What is the location of your home?

le korbi be le cmana

.i mi se zdani le nurma

.i le zdani be mi cu barda dinju gi'e se sledi'u ci da .e le vimdi'u .e le lumdi'u

The edge of the mountain.

I live in the country.

My home is a big house and has three rooms plus a toilet plus a bathroom.

je'e

.i ku'i mi pu jbena le tcadu .i je ca ti mi se zdani le jarbu be la .paris.

.i mi xabju ne'a le zarci

I see.

But I was born in the city, and now I live in the suburbs of Paris.

I live near a shop.

stuzi
x1 is a place
dinju
x1 is a building, house
zdani
x1 is a home of x2
se zdani
x2 lives in x2, x1 inhabits x2
tcadu
x1 is a city or town
jarbu
x1 is a suburban are of city/town x2
nurma
x1 is a rural area, x1 is in the country
kumfa
x1 is a room
vikmi kumfa
x1 is a toilet
zarci
x1 is a shop

Lesson 5. Modal terms, «da», their relative position#

How do modal terms refer to the relation?#

  • Some modal terms like those that describe tense connect the current relation with the one in the noun after them:

mi cadzu ca le nu le cipni cu vofli

I walk when the birds fly.

cadzu
... walks
le cipni
the bird/birds
vofli
... flies

mi pu cadzu fa'a le rirxe

I walked towards the river.

mi pu cadzu se ka'a le rirxe

I walked to the river.

se ka'a
coming to ...
fa'a
directly towards ...

Modal terms don't remove ordered places (fa, fe, fi, fo, fu) from the relation:

mi klama se ka'a le rirxe le dinju

mi klama fe le rirxe .e le dinju

I go to a river, to a house.

Here, the first example uses se ka'a to connect le rirxe and then the second place of klama follows being filled with le dinju. It's the same as just filling the second place of klama two times, that is connecting them with .e - and.

However, se ka'a is nice when applied to other verbs like cadzu in a previous example.

le nanmu pu cadzu tai le nu ri bevri su'o da poi tilju

The man walked as if he was carrying something heavy.

bevri
x1 carries x2
tai
modal term: like ..., resembling ...

The dictionary explains such tricky cases where the relation defined by the term might pose difficulty. In practice, the relation is often clear from the examples provided.

Using «ne» + term. «se mau» - ‘more than ...#

mi ne se mau do cu melbi

I am prettier than you.

se mau
term from se zmadu: more than; the relation itself describes the comparison

This example is similar to

mi zmadu do le ka melbi

I exceed you in prettiness.

In other words, the main verb melbi is similar to the third place of zmadu, which specifies the comparison criteria. Two more examples:

mi prami do ne se mau la .doris.

I love you more than Doris.

mi ne se mau la .doris. cu prami do

I love you more than Doris does.

I love you more than Doris loves you.

I (more than Doris) love you.

More examples:

mi nelci le'e pesxu ne se mau le'e ladru

I like jam more than milk.

pesxu
... is jam

le'e pesxu cu zmadu le'e ladru le ka mi nelci

I like jam more than milk.

Jam exceeds milk in how much I like it.

And now an interesting sentence:

Bob likes Betty more than Mary.

It can mean two different things in English!

  1. Bob likes Betty and he likes Mary less.
  2. Bob likes Betty but Mary likes Betty too, though not as much as Bob does!

Do we compare Betty with Mary in how Bob likes them?

Or instead we compare Bob with Mary in how they like Betty?

English is ambiguous in this regard.

However, se mau always compares the noun after it with the first place of the relation we know what we get:

la .bob. ne se mau la .maris. cu nelci la .betis.

la .bob. cu nelci la .betis. se mau la .maris.

Bob (compared to Mary) likes Betty more. Mary likes Betty less.

la betis cu se nelci la bob se mau la maris

Betty is loved by Bob more than Mary. Bob likes Mary less.

Comparisons: ‘equal’, ‘the same#

mi dunli le mensi be mi le ka mitre .i ku'i mi na ku du le mensi

I am as big as my sister. But I'm not her.

I equal the sister of me in meters. But i am not identical to the sister.

dunli
x1 (any type) is equal to x2 (any type) in x3 (property of x1 and x2 with kau)
mitre
x1 is x2 meters long
du
x1 (any type) is identical to x2 (any type)

dunli compares two places for a single property, while du compares for identity. My sister and I are the same height, but we are not the same person. Clark Kent and Superman have different admirers, but they are the same person.

The same goes for another two verbs:

mi frica do le ka nelci ma kau

We differ from each other in what we like.

I differ from you in liking what.

le drata be mi cu kakne le ka sidju

Someone other than me is able to help.

frica
x1 (any type) differs from x2 (any type) in x3 (property of x1 and x2 with kau)
drata
x1 (any type) is not the same as x2 (any type)

The concept of only#

mi .e no le pendo be mi cu nelci le'e badna

I and none of my friends like bananas.

Among my friends I'm the only one who likes bananas.

The concept of not only is similarly expressed:

mi .e le su'o pendo be mi cu nelci le'e badna

It's not just me who likes bananas among my friends.

I and some of my friends like bananas.

Most’, ‘many’ and ‘too much#

Words like most and many are also numbers in Lojban:

ro each
so'a almost all
so'e most
so'i many, a lot of
so'o several
so'u few
no zero, none
su'e at most
su'o at least
za'u more than…
du'e too many

Some examples:

su'e re no le prenu ba klama

No more than 20 of the people will come.

su'o pa le prenu cu prami do

At least one person loves you.

never’ - «no roi», ‘always’ - «ro roi»#

Terms specifying the number of times:

  • no roi = never
  • pa roi = once
  • re roi = twice
  • ci roi = thrice

...

  • so'i roi = many times
  • so'u roi = a few times
  • du'e roi = too many times
  • ro roi = always

mi du'e roi klama le zarci

I go to the market too often.

zarci
x1 is a market

mi pu re roi klama le zarci

I went to the market twice.

Without pu the construct re roi may mean that once I went to the market but the second time I will be there only in the future. These tense particles can be used with a noun after them:

mi klama ti pa roi le jeftu

I come here once a week.

for the first time - «pa re'u», for the last time - «ro re'u»#

  • pa re'u = for the first time
  • re re'u = for the second time

...

  • za'u re'u = again
  • ro re'u = for the last time

The tense particle re'u works like roi but tells for which time this event happens.

Compare:

mi pa roi klama le muzga

I visited the museum once.

mi pa re'u klama le muzga

I visited the museum for the first time.

mi za'u roi klama le muzga

I visited the museum more times.

mi za'u re'u klama le muzga

I visited the museum again.

mi za'u pa roi klama le muzga

I visited the museum more than once.

mi za'u pa re'u klama le muzga

I visited the museum not for the first time (maybe for the second/third etc.))

vitke
to visit (somebody or something)

Note the difference between:

za'u re'u
again, not for the first time
re re'u
two times (same here, no context is needed, and even the exact number of times is given)

Terms: their location within a relation#

le nu tcidu vau ca cu nandu

Reading is now difficult.

ca ku le nu tcidu cu nandu

Now reading is difficult.

Bare terms without arguments after them can be moved around the sentence by adding ku after them.

ku prevents the following nouns from attaching to such terms. Compare:

ca le nu tcidu cu nandu

When reading it's difficult.

Here are several places where modal terms can go.

  • modal term modifies the relation to the right of it:
  • ca ku mi citka - Now I eat. The term labelled with a word ku as being completed
  • ca le cabdei mi citka - Today I eat. The term with a noun after it as its argument.
  • mi ca citka - I now eat. tense particle before the main verb and without a noun.
  • Modal term is applied to the whole relation:
  • mi citka ca - I eat now. Modal term at the end of the relation.

Joining statements with modals#

mi pinxe le jisra ca le nu do co'i klama le zdani

I am drinking the juice when you come home.

mi pinxe le jisra .i ca bo do co'i klama le zdani

I am drinking the juice, and at the same time you come home.

The two examples mean the same. The second option is mostly used when any of the original relations sound bulky.

Another use is to move modal terms out of scope of other modal terms:

mi na ku te vecnu ki'u le nu kargu

It's not true that I buy because it's expensive.

So one might suppose that I only buy things if they are expensive. But no, I don't act thay way.

Here, na ku negates that I buy things because they are expensive. na ku is applied to the whole relation, thus it "covers" ki'u.

mi na ku te vecnu .i ki'u bo kargu

I don't buy. It's because it's expensive.

Here, I don't buy things. Why? Because they are expensive. Maybe I prefer only cheap things.

Here, ki'u is placed to another sentence. Thus, na ku doesn't scope over it.

Both examples could be translated as I don't buy because it's expensive. However, they mean different things.

A special rule is for using .i ba bo and .i pu bo. Compare:

mi cadzu pu le nu mi citka

I walk before I eat.

mi cadzu .i ba bo mi citka

I walk, and then I eat.

.i ba bo means afterwards, then. The sentence after .i ba bo refers to something that took place later than what took place in the relation before.

pu is changed into ba, and vice versa. This special rule for Lojban was made by analogy of natural languages. So you just have to remember this special behavior of these two words.

Existing things, ‘there are ...#

There are actually three words in da series: da, de, di. We use them if you need to refer to different objects in one discourse:

ci le mlatu cu citka re le finpe

There are three cats, there are two fishes for each cat, and each cat eats two fishes.

If you need more such words in one discourse add a suffix xi to them and then any number (which we can call an index). Thus,

  • da xi pa is the same as simple da,
  • da xi re is the same as de,
  • da xi ci is the same as di
  • da xi vo is the fourth "something" and so on...

Topic and comment. «zo'u»#

Sometimes it is useful to show the topic of a relation and then say a comment about it:

le'e finpe zo'u mi nelci le'e salmone

As for fish I like salmon.

salmone
... is a salmon
zo'u
ends the topic and starts the comment of the relation

zo'u is more useful when a pronoun like da is defined in the topic and then used in the comment:

su'o da zo'u mi viska da

There is a thing such that I see it.

ro da poi gerku zo'u mi nelci da

For each thing that is a dog: I like it.

I like all dogs.

da de zo'u da viska de

There is da and de such that da sees de.

The two pronouns da and de tell us that there are two things which stand in the relationship that one sees the other. It might be the case that the supposed two things are really just a single thing that loves itself: nothing in the sentence rules out that interpretation, which is why the colloquial translation does not say Somebody sees somebody else. The things referred to by different pronouns of da series may be different or the same.

It is perfectly okay for these pronouns to appear more than once in the main relation:

da zo'u da prami da

There is da such that da loves da.There is someone who loves himself/herself.

It is not necessary for a pronoun to be the direct noun of the the main verb:

da zo'u le gerku pe da cu viska mi

There is da such that the dog of them sees me. Somebody's dog sees me.

any’ and ‘some’ in examples#

The words "any" and "some" and their derivatives have many meanings in English. We should be careful to translate that intended meaning:

Translating as da:

  • some: something unspecified:

da pu klama .i je ko smadi le du'u da me ma kau

Somebody came. Guess who it was.

mi pu tirna da .i je mi fliba le ka jimpe le du'u da mo kau

I heard something, but I fail to understand what it was.

  • some in questions turns into anything, anybody, in Lojban it's still da:

xu su'o da pu klama

Did anybody come?

  • some when using commands, request, suggestions:

e'u mi'o pilno su'o da poi drata

Let's try other things.

e'u mi'o troci bu'u su'o da poi drata

Let's try somewhere else.

  • any can be used in inner relations:

mi rivbi le ka jdice da

I avoided taking any decision.

like in relations inside modal terms:

ba le nu do zgana da vau ko klama

After you notice anything, come!

  • Scope: any is used in English when negating while Lojban uses na ku but then still da:

mi na ku viska su'o da poi prenu

I don't see anybody.

  • any is used when making no distinction among members we talk about:

.au nai mi tavla su'o da poi na ku slabu mi

I don't want to talk to just anybody.

  • Scope: negation has to be used in an appropriate relation like here:

mi jinvi le du'u na ku da jimpe

I don't think that anybody understands.

This can be rephrased as:

mi jinvi le du'u no da jimpe

I think that nobody understands.

  • every is turned into any in comparisons and translated as ro da:

do zmadu ro da le ka se canlu

You are taller than anybody.

You exceed everybody in size.

  • any is used when providing choice and translated as ro da:

ro da poi do nelci zo'u mi e'ande do le ka citka da

You may eat anything you like.

For everything that you like I allow you to eat it.

.e'ande
x1 allows x2 to do x3 (property of x2)
  • anyone, somewhere:

e'u mi'o troci bu'u su'o da poi drata

Let's try somewhere else.

Here, su'o da poi drata actually means any other thing or things, place or places. The number of such places is not specified although any such place might fit.

What if we want to say "any place but only one place"?

e'u mi'o troci bu'u pa da poi drata

Let's try at another place.

Translating any as le'e in generic statements:

le'e gerku cu se tuple le vo da

Any dog has four legs. Dogs have four legs.

Using le. We use le when we describe specific objects, places, events:

le drata zo'u .e'u mi'o pilno ri

The other thing, let's use it.

le drata stuzi zo'u .e'u mi'o troci bu'u ri

The other place, let's try there.

Resume: which constructs does scope affect?#

Scope is created only by:

  • borders of relation,
  • term modals,
  • nouns starting with numbers (like pa le prenu - one of the persons),

da, de, di if used without a prenex and without an explicit number in front are meant to mean su'o da, su'o de, su'o di and thus also create scope.

Thus the relative order of such constructs changes the meaning:

pa le prenu ca ku zvati

There is one person who is now present.

ca ku pa le prenu ca zvati

Now there is one person.

Scope isn't relevant for verbs and nouns starting with le (like le prenu or le re prenu). Both these sentences mean the same:

le prenu ca ku zvati le zdani

ca ku le prenu cu zvati le zdani

ca ku fe le zdani fa le prenu cu zvati

People are now present.

Modal term scopes from where it's used to the right of the relation until the relation and all its inner relations (if present) end.

Here, ki'u le nu kargu is under the scope of na ku:

na ku mi te vecnu ki'u le nu kargu

It's not true that: I buy because it's expensive.

But here, ki'u le ne kargu is not under the scope of na ku. ki'u is applied to the whole previous sentence including na ku:

mi na ku te vecnu .i ki'u bo kargu

I don't buy. It's because it's expensive.

Lesson 6. Modal terms: time and space#

mi citka le cirla

Possible translations:

I eat cheese.

I ate cheese.

I always eat cheese.

In a moment, I will have just finished eating cheese.

Tenses in Lojban are optional, we don't have to think all the time what tense to use.

Context often resolves what is correct. We add tenses when we feel we need them.

Lojban tenses treat time and space the same. Saying that I worked a long time ago is not grammatically different than saying I work far away to the north. English treats words like earlier, past tense ending -ed and space words like in or near in three different schemes, while in Lojban they follow the same principle.

Points in time and place#

Modal term without a noun after it describes the event as relative to here and now:

mi pinxe ba

I will drink.

mi pinxe bu'u

I drink at this place.

Modal term with a noun after it describes the event as relative to the event in that noun:

mi pinxe ba le nu mi cadzu

I drink after I walk.

Events relative to other events in time#

In English we use the so called "sequence of tenses":

la .alis. pu cusku le se du'u ri pu penmi la .doris. la'u le djedi be li ci

Alice told that she had seen Doris three days before.

Here, the event "had seen Doris" happens before the event "Alice said". However, in

la .alis. pu cusku le se du'u ri ca kansa la .doris.

Alice told that she was with Doris.

the two events (told and was with Doris) happen at the same time.

Thus in English

  • the tense of the main relation is understood relative to whoever utters this relation.
  • the tense of the relation inside the main relation is also understood relative to whoever utters this relation.

And in Lojban

  • only the tense of the main relation is relative to whoever utters the relation.
  • the other tenses are relative to each other. This is why, in la .alis. pu cusku le se du'u ri pu penmi la .doris. la'u le djedi be li ci the second pu is relative to the first pu. In la .alis. pu cusku le se du'u ri ca kansa la .doris., we use ca (at the same time) which is relative to the outer relation (pu cusku - said).

However, we can use the modal term nau (at the time or place of the speaker), which will give the same effect as how English works:

Here is an example in English style:

la .alis. pu cusku le se du'u ri nau pu kansa la .doris.

Alis said that she was with Doris.

Distance in time and space#

fau
modal term: at the same time, place or situation as …
ca
modal term: at … (some time), at the same time as …; present tense
bu'u
modal term: at … (some place); here (at this place)
zi
just (short time ago) or soon (in a short time)
vi
near …
za
a while ago or in a while, in an unspecified time
va
not far from …
zu
long time ago or in a long time
vu
far away from …; far away

This is how we can use tense combinations specifying how far we ago into the past or future:

  • pu zu means a long time ago
  • pu za means a while ago
  • pu zi means just
  • ba zi means soon
  • ba za means in a while
  • ba zu means in a long time

Notice the vowel order i, a and u. This order appears again and again in Lojban, and might be worth to memorize. Short and long in are always context dependent, relative and subjective. Two hundred years is a short time for a species to evolve, but a long time to wait for the bus.

zi, za and zu modify the tense particle like pu and ba that is said before it:

  • pu zu is a long time ago. pu shows that we begin in the past, zu then that it is a long time backwards.
  • zu pu is far away in time there is a point after some event. zu shows that we begin at some point far away in time from now, pu then, that we move backwards from that point.

Thus pu zu is always in the past. zu pu could be in the future.

Spatial distance is marked in a similar way by vi, va and vu for short, unspecified (medium) and long distance in space.

To specify distance in time or space we use the modal term la'u with an argument specifying the distance:

ba ku la'u le djedi be li ci mi zvati ti

In three days I will be here.

The space equivalent of ca is bu'u. And fau is more vague than two of them, it can mean time, space or situation.

ba za vu ku mi gunka

Some time in the future, I will work a place long away.

gunka
to work

mi bu'u pu zu gunka

I used to work here a long time ago.

I here-past-long-time-distance work

pu zu vu ku zasti fa le ninmu .e le nanmu

Long ago and far away lived a woman and a man.

The last sentence is how fairy tales often begin.

Duration in time and space#

ze'i
modal term: for a short time
ve'i
modal term: over a small space
ze'a
modal term: for some time
ve'a
modal term: over some space
ze'u
modal term: for a long time
ve'u
modal term: over the long space

Again it's easy to remember given the pattern i, a, u.

mi ze'u bajra

I run for a long time.

la .bob. ze'u pinxe le birje

Bob drinks beer for a long time.

mi ba zi ze'a xabju la .djakartas.

Pretty soon I'm going to live in Jakarta for a while.

le jenmi pe la .romas. ba ze'u gunta la .kart.xadact.

The army of Romans will be attacking Carthage for a long time.

This does not mean that Romans are not attacking Carthage these days. In Lojban, if we say that something is true at a particular time, it doesn't mean that it is not true at any other time. You can say pu ba ze'u so that we know that this activity was in future when viewed from some point in past but in past when viewed from today.

le xamsi

sea/ocean

le ve'u xamsi

ocean

le cmana

mountain/hill

le ve'u cmana

hill

do ve'u klama le dotco gugde ze'u

You spend a long time traveling a long space to Germany.

ti ve'u gerku

That's a big dog. This is a dog covering a large space.

«pu'o» - ‘to be about’, «ba'o» - ‘no longer’, «za'o» - ‘still’, «xa'o» - ‘already#

Here are several sets of modal terms that can help us add finer meanings when necessary.

With the event contours and unlike pu, ca and ba we view each event as having shape with certain stages:

pu'o
modal term: to be about to do something (the event has not yet happened)
ba'o
modal term: to be no longer doing something, to have done something (the event has ended)

Examples:

mi ba tavla le mikce

I will speak to the doctor (and I might be speaking now too).

mi pu pu'o tavla le mikce

I was about to speak to the doctor (I was not speaking at that time, the event hadn't started by that time).

le sanmi ca pu'o bredi

The meal is not ready yet.

mi pu ba'o tavla le mikce

I had spoken to the doctor.

mi ba ba'o tavla le mikce

I will have spoken to the doctor.

.a'o mi ba zi ba'o gunka

I hope soon I will have done the work.

za'o
modal term: still. The event is in process beyond its natural end
xa'o
unofficial modal term: already, too early. The event already started and it is too early

Examples:

ri'a ma do za'o zvati vi

Why are you still here?

la .kevin. xa'o zvati vi

Kevin is already here.

Stages of event#

mi co'a tavla

I started talking.

ra ca'o ciska

She keeps writing.

ra pu co'u vasxu

He stopped breathing (sudden unpredictable change).

vasxu
x1 breathes x2

mi pu mo'u citka le plise

I've eaten the apple up.

la .maks. pu mo'u zbasu ti voi dinju

Max has built this house.

ra pu de'a vasxu

She ceased to breath (but may breath again later).

mi pu di'a citka le plise

I resumed eating apples.

co'a
modal term: the event starts (the border of the event)
ca'o
modal term: to be doing something (the event is in progress)
co'u
modal term: the event stops
mo'u
modal term: the event ends (the border of the event)
de'a
the event pauses (the event can be expected to continue)
di'a
the event resumes

mi de'a ze'i jundi

BRB (I'll be right back).

mi di'a jundi

I am back (being attentive).

jundi
x1 pays attention to x2

These two expressions are common in text chats for saying that you stop paying attention or away, and then back online:

One could of course also say just de'a or di'a and hope the point gets across.

Continuous and progressive events#

ru'i
modal term: the event is continuous

.i mi pu ru'i citka le plise

I was eating apples one and on without stop.

Note the difference:

  • ru'i says that the event is continuous and never pauses.
  • ca'o says that the event progresses. It may sometimes pause and then resume its progress.

Place contours#

Event contours can be used to refer to space if we prefix them with fe'e:

le rokci cu fe'e ro roi zvati

The stones are everywhere.

to the left’, ‘to the right#

le prenu cu sanli le dertu bu'u le pritu be mi

The person stands on the ground to the right of me.

le gerku cu vreta le ckana bu'u le zunle be le verba

The dog is lying on the bed to the left of a child.

ko jgari le panbi poi zunle

Take the pen on the left.

le mlatu cu plipe bu'u le crane be do

A cat jumps in front of you.

ko catlu le dinju poi crane

Look at the house in the front.

le verba cu zutse le stizu bu'u le trixe be mi

The child sits on the chair behind me.

le prenu cu sanli ki mi bu'u le pritu be le tricu bei mi

The person stands to the right of a tree from my viewpoint.

le dinju cu zunle le rokci ti

The house is to the left of the rock if viewed from here.

zunle
x1 is to the left of x2 as viewed from x3
pritu
x1 is to the right of x2 as viewed from x3
crane
x1 is in front of x2 (x1 is between x2 and whoever watches) as viewed from x3
trixe
x1 is behind x2 as viewed from x3
sanli
x1 stands on x2
zutse
x1 sits on x2
vreta
x1 lies on x2
le dertu
the ground, the dirt
le ckana
the bed
le stizu
the chair

Practice: position#

ma nabmi What's the problem?
ma'a nitcu tu'a le cukta pe la .alis. We need Alice's book.
.i la .alis. ca zvati ma Where is Alice?
la .alis. ca na ku zvati le bu'u tcadu
.i mi pu mrilu le srana be le cukta fi la .alis.
.i ri ca ca'o vofli la .paris.
.i ku'i mi pu zi te benji le se mrilu be la .alis.
.i ri curmi le nu mi'a pilno le cukta
.i e'o do bevri ri mi
Alice is now not in the city.
I mailed about the book to her.
Alice is now flying to Paris.
But I just received a mail from her.
She allows us to use the book.
Please, bring it to me.
.i bu'u ma mi ka'e cpacu le cukta Where can I get the book?
le purdi .i e'o do klama le bartu In the garden. Please, go outside.
mi ca zvati ne'a le vorme .i ei mi ca klama ma I am near the door. Now where should I go?
ko klama le zunle be le tricu .i ba ku do viska le pa jubme Go to the left of the tree. Then you will see a table.
mi zgana no jubme I notice no tables.
ko carna gi'e muvdu le pritu .i le jubme cu crane le cmalu dinju .i le cukta cu cpana le jubme .i ji'a ko jgari le penbi .e le pelji .i le za'u dacti cu cpana si'a le jubme .i ba ku ko bevri le ci dacti le zdani gi'e punji fi le kumfa pe mi Turn and move to the right. The table is in front of a small building. The book is on top of the table. Also, take a pencil and a paper. They are similarly on top of the table. Then bring the three things home and put them to my room.
vi'o Will do.

Practice: vehicles#

mi jo'u le pendo be mi pu ca'o litru le barda rirxe bu'u le bloti I and my friends were traveling on a big river in a boat.
.i ba bo mi'a klama le vinji tcana Then we went to an airport.
.i xu do se marce le karce Did you take a car?
.i je'u nai
.i mi'a pu klama fu le trene
.i ze'a le cacra mi'a zvati bu'u le carce
No.
We went by train.
For one hour we were in a wagon.
marce
x1 is a vehicle carrying x2
se marce
x1 is a passenger of x2
karce
x1 is a car carrying x2
bloti
x1 is a boat carrying x2
vinji
x1 is an aircraft carrying x2
trene
x1 is a train of cars x2

Lesson 7. Letters, referring to relations, dates#

Names of letters in Lojban#

Each letter has a name in Lojban.

The following table represents the basic Lojban alphabet and how to pronounce letters (below each letter):

' a b c d e
.y'y. .a bu by. cy. dy. .ebu
f g i j k l
fy. gy. .i bu jy. ky. ly.
m n o p r s
my. ny. .o bu py. ry. sy.
t u v x y z
ty. .u bu vy. xy. .y bu zy.

As you can see

  • to get the name for a vowel, we add the word bu
  • to get the name for a consonant, we add y. to the consonant
  • the word for ' (apostrophe) is .y'y.

We can spell word using these names. For example, CNN will be cy. ny. ny.

Letters instead of ‘he’ and ‘she#

A string of one or more letter names works as a pronoun. And we can use them for another method of referring to nouns and names earlier used in speech.

la .alis. pu klama le nurma .i le nurma melbi la .alis.

la .alis. pu klama le nurma .i ri melbi la .alis.

la .alis. pu klama le nurma .i ny. melbi la .alis.

la .alis. pu klama le nurma .i ny. melbi .a bu

Alice went to the country. The rural are is beautiful to Alice.

Alice went to the country. It is beautiful to her.

All the Lojban variants mean the same.

As the first letter in .alis. is a (we ignore the dot) and the first letter in nurma is n we can use letter words to refer to those nouns correspondingly:

  • .a bu refers to la .alis.
  • ny. refers to le nurma

This method might be more convenient than English he or she or event Lojban ri or ra. This method allows us to make the speech more concise but at the same time precise not forcing us to repeat possible long names or nouns over and over again.

But notice that it can happen that we'd like to refer back to, say, le nurma, but then before we can do so, another noun or name that starts with n appeared in the meantime, so that ny. can no longer refer to the rural area. The quickest way out is to repeat the entire noun or name, i.e. say le nurma:

bu'u le nurma la .alis. pu penmi la .nik. i ri se zdani bu'u le nurma

In the country Alice met Nick. He has his home in the country.

zdani
... is a home to ...
se zdani
... has a home ..., ... lives in ...

If a name consists of several cmevla you can use the first letters of them to refer to that name. The same is for compound verbs:

la .djan.smit. cu citka le glare stasu .i dy.sy. nelci fy.sy.

John Smith is eating the hot soup. He likes it.

glare
... is hot

dy.sy. is a single pronoun. Same for fy.sy., of course.

If you need to put several pronouns one after another separate them with the word boi:

mi klama la .paris. la .moskov.

I go to Paris from Moscow.

mi klama py. boi my.

I go to P from M.

The sentence mi klama py. my. would mean I go to PM which wouldn't mean what is needed here.

la .tom.silver. pu zvati .i je'u ty. sy. boi .ui pu sidju mi

Tom Silver was present. And actually TS (yay!) helped me.

If you put an interjection after such letters separate them with boi. Without boi interjections will refer to the last letter.

we’ — different ways of saying that#

In Lojban, there are several pronouns close in meaning to we.

mi'o
you and I
mi'a
we without you
ma'a
you and I and another one/others

So when speaking you'd have to be a bit more careful which meaning of we you need.

And finally:

mi
I or the speakers

mi can also mean we! Lojban makes no distinction between singular and plural by default. So if several people are speaking all together, mi (which refers to the one or more speakers) is perfectly correct for we. In practice, you'll usually get mi used like that when one person is presuming to speak (or more often, to write) on behalf of others.

Some examples:

mi prami do

I love you.

mi'a penmi do de'i li cy. ci

We'll meet you at three o'clock.

ma'a remna

We are all human.

mi djica le nu do cliva

We want you to go away.

cliva
x1 leaves

«ri» instead of ‘he’ and ‘she#

Earlier we learned of the pronoun ri:

ri
pronoun: refers to the previous noun or pronoun that just finished (skipping stable pronouns like mi, do, words for "we")

mi catlu le nanmu .i ri melbi

I look at a man. He is handsome.

melbi
x1 is beautiful / pretty / handsome to someone x2

ri refers to the previous completed noun used in text or someone's speech:

la .alis. cu sipna bu'u le sledi'u pe la .alis.

Alice sleeps in Alice's room.

Alice sleeps-in the of-Alice room.

la .alis. cu sipna bu'u le kumfa pe ri

Alice sleeps in her room.

Alice sleeps in the room of [previous noun].

sledi'u
x1 is a room for purpose x2 (proposition)

The ri is equivalent to repeating the last noun or name, which is la .alis. here.

One aspect to notice is that ri does not repeat le kumfa pe ri (which is also a noun), because ri is a part of that noun and therefore that noun is not "previous", not finished yet when ri appears. This prevents ri from making it recursively refer to itself.

Another example:

le du'u le prenu cu melbi cu se djuno ri

That the person is pretty is known to herself.

The ri refers to le prenu (and not le du'u le prenu cu melbi although both nouns are complete: le prenu starts last, after the start of le du'u le prenu cu melbi.

Relation inside sei forms a parallel text. ri skips nouns inside sei-relations:

mi viska la .lukas. sei la .doris. pu cusku .i ri jibni la .micel.

I see Lucas, — Doris said. He is near Michelle.

In this example ri cannot refer to la .doris. We simply skip the whole sei la .doris. pu cusku relation when deciding what ri should refer to.

Pronouns that are stable across the dialogue or story are ignored by ri. We just repeat them directly:

mi lumci mi

I wash myself.

I wash me

lumci
x1 washes x2

mi prami mi

I love myself.

I love me.

However,

  • the pronouns ti, ta, tu are picked up by ri, because you might have changed what you are pointing at, so repeating tu may not be effective.
  • likewise, ri itself (or rather its antecedent) can be repeated by a later ri; in fact, a string of ri words with no other intervening nouns always repeat the same noun:

la .alis. cu catlu le nanmu .i ri melbi .i ri co'a zgana .a bu

Alice notices a man. He is handsome. He notices Alice.

zgana
to observe
co'a zgana
to start observing, to notice

Here the second ri has as antecedent the first ri, which has as antecedent le nanmu. All three refer to the same thing: the man.

Only you decide what, where and when to use in speech: the method with le+verb words, the method with letter names or with ri.

«go'i» for the previous relation#

la .alis. cu klama le barja .i la .alis. cu viska le nanmu

la .alis. cu klama le barja .i le go'i cu viska le nanmu

Alice comes to the bar. She sees a man.

le go'i refers to the first place of the previous relation.

go'i presents yet another way of referring back to a noun that we need.

  • le se go'i refers to the second place of the previous relation
  • le te go'i to the third etc.:

Examples:

.i la .alis. cu zgana le nanmu .i ri melbi

.i la .alis. cu zgana le nanmu .i le se go'i cu melbi

Alice watches a man. He is handsome.

Here, le se go'i refers to the second place (x2) of the preceding relation, which is le nanmu.

Another example:

Bill saw Nick. He hit him.

English doesn't bother with precision here — he just means "some male person mentioned somewhere near in the text or deduced from context." Did Bill hit Bob, or did Bob hit Bill? We don't know. In Lojban we can say:

la .bil. pu viska la .nik. .i le se go'i cu darxi le go'i

Bill saw Nick. Nick hit Bill.

Although, in most cases ri or letter words can be used:

la .bil. cu viska la .nik. i ri darxi la .bil.

la .bil. cu viska la .nik. i ny. darxi by.

Bill saw Nick. Nick hit Bill.

go'i itself is a verb, and it thus has a place structure:

mi tatpi .i do ji'a go'i

I'm tired. And you too.

When we say do go'i, we repeat the previous relation but replace its first place with do. In other words, do ji'a go'i here is the same as saying do ji'a tatpi.

Time of day#

ma tcika ti

What's the time?

li cacra bu pa pa

Eleven hours

tcika
x1 (hours, minutes, seconds) is the time of event x2

In Lojban times are always the times of something. So we ask what the time is of ti, meaning this event/thing, or, in other words now.

li, a prefix for numbers, is used for timestamps too.

  • cacra bu is a prefix signalling that the number of hours follows. 24-hour time is used almost always in Lojban.
  • mentu bu is a prefix signalling that the number of minutes follows.
  • snidu bu is a prefix signalling that the number of seconds follows.

li cacra bu pa pa mentu bu pa no

11:10 (Ten minutes past eleven)

li cacra bu pa pa mentu bu pa no snidu bu pa ci

11 hours, 10 minutes and 13 seconds.

li cacra bu pa no mentu bu mu no

10:50, ten to eleven

If we want to give the time of an event, rather than just tell the time, the second place is filled:

li cacra bu pa no tcika le nu mi klama

Ten o'clock is the time that I come.

By using the term de'i we can get a more naturally sounding sentence:

mi klama de'i li cacra bu pa no

I am coming at 10 o'clock.

de'i
at ... (time), on ... (date)

And one useful example:

ca tcika le nu .ei sipna

It's time to sleep.

Dates#

ma detri ti

What's the date today?

li mastu bu ze djedi bu pa

It's July, 1.

detri
x1 (year, month, day) is the date/time of event x2

Another option:

ma ca detri

What is the date now?

  • nanca bu is a prefix signalling that the year follows.
  • masti bu is a prefix signalling that the month follows.
  • jefydei bu is a prefix signalling that the day of week follows.
  • djedi bu is a prefix signalling that the day follows.

Prefixes with numbers after them can be used in any order (let's use digits to show numbers):

li djedi bu 2 ca detri

It's the second day of the month now.

li masti bu 4 djedi bu 1 ca detri

It's April, the first now.

li djedi bu 5 masti bu 7 nanca bu 2005 detri le nu mi jbena

The fifth of July (seventh month), year 2005 is when I was born.

jbena
x1 is born

We can also use de'i:

mi ba klama de'i li masti bu pano

I will come in October.

Particles in Lojban can be written without spaces in between like in this pano, which is the same as pa no.

For days of week usually Monday is the first day:

mi gunka de'i li jefydei bu pa

I work on Monday.

mi gunka ca ro se detri be li jefydei bu re

I work every Tuesday.

xu do pu zvati la .paris. de'i li jefydei bu ci

Were you in Paris on Wednesday?

Specifying time intervals#

mi nanca li re re

I am 22 years old.

nanca
x1 is of duration of x2 (number) years

nanca specifies the duration, and in order too say two years long you fill the second place with a number prefixed with li.

le verba cu masti li re

The child is two months old.

masti
x1 is x2 months long

le nu carvi cu djedi li ci

It's raining for three days.

djedi
x1 (event) is x2 (number) full days long

Lesson 8. Terms and math#

Possibly can, have been and haven't yet been#

le'e cipni ka'e vofli

Birds can fly.

le pendo be mi ca'a xendo prenu

My friend shows himself as a friendly person.

le pendo be mi ka'e litru bu'u ro da

A friend of mine can travel in any place.

mi ca'a zvati la .madrid.

I am in Madrid.

mi pu'i zvati la .madrid.

I have been to Madrid.

mi nu'o zvati la .madrid.

I have never been to Madrid.

ka'e
term of potential: possibly can
ca'a
term of potential: actually is
pu'i
term of potential: has already happened
nu'o
term of potential: hasn't ever happened

This series of so called terms of potential describes possible situations.

Note that ka'e means that an event can happen whereas, for example,

le'e cipni cu kakne le ka vofli

Birds are capable of flying.

describes abilities dependent on actions of participants.

Plus and minus#

li mu du li re su'i ci

Five equals two plus three.

li that we saw earlier is similar to le but it starts a mathematical expression (or just a number or a timestamp).

Note that li re su'i ci ("2+3") is one single expression considered as one noun.

du is a verb and means to be equal to.

  • su'i means plus.
  • vu'u means minus.
  • pi'i means times and is used for multiplication
  • fe'i means divided by and is used for division.

The word pi is a decimal separator so no pi mu means 0.5, ci ze pi pa so means 37.19.

In some notations 0.35 can be written as .35 and in Lojban we can also drop zero saying pi mu.

Here are some other examples.

li pare fe'i ci du li vo

12 : 3 = 4.

li re pi'i re du li vo

two times two is four

li pano vu'u mu pi'i re du li no

10 — 5 ⋅ 2 = 0.

Notice that you put li only once before the equation and once after it. Thus 12 : 3 is considered one number. Indeed, 4 is the same as 12 : 3. They are both numbers.

For asking for a number we use ma:

li ci su'i vo du ma

3 + 4 = ?

li ze

7

First, second, last#

Ordinal numbers such as "first, second, third" are used to put things in order. In Lojban they are formed with a number plus moi immediately after it:

pa moi
x1 is first among x2 (set)
re moi
x1 is second among x2 (set)
ci moi
x1 is third among x2 (set)

ro moi
x1 is last among x2 (set)

It is also possible to use verbs instead of numbers:

me mi moi
x1 is mine
me do moi
x1 is yours

In this case we had to convert pronouns to verbs using me.

le prenu cu pa moi le'i se prami be mi

He is my first love.

tu ro moi le'i ratcu pe mi

That is my last rat.

le cerni tarci cu ro moi le'i tarci poi cumki fa le nu viska ke'a pu le nu co'a donri

The morning star is the last star that's visible before the dawning of the day.

tu me mi moi

That's mine.

tu me mi moi le'i stizu

tu me mi moi stizu (using a compound verb, tanru for conciseness)

That's my place.

.i ti voi stizu cu me mi moi le'i pa ci stizu poi jibni le jubme

This place is mine among the 13 places near the table.

Cardinal numbers are placed before ordinal numbers in a string and separated by boi:

le ci boi pa moi be le'i kabri pe le ckafi

the first three cups of coffee

Without boi it would turn into ci pa moithirty-first.

«gau» - make them do it#

The term gau marks the agent of event:

le canko cu kalri

The window is open.

le canko gau do kalri

You open the window.

The window driven-by you is open

gau
modal term: caused by ... (agent), driven by ... (someone, some object)
kalri
x1 is open

Thus, such verbs as to open something, to move something can be rephrased as to make something open, to make something move and therefore we don't need to learn extra verbs for every such meaning. Instead we add the term gau all the time.

There is also another method that retains the same order of words as in English:

le canko gau ko kalri

ko jai gau kalri fai le canko > Open the window!

Here we transform the verb kalri - to be open into a verb

jai gau kalri
to open something

The first place of kalri can be shown by using a place tag fai.

Some more variations:

le pa karce cu muvdu

The car moves.

ko jai gau muvdu fai le karce

le karce gau ko muvdu

Move the car! Make the car move!

le karce cu muvdu ti

fa le karce cu muvdu fe ti

The car moves here.

ko jai gau muvdu fai le karce fe ti

Move the car here!

muvdu - moves to some place is transformed into a new verb jai gau muvdu - to move something or someone to some place.

muvdu
x1 moves to x2 from x3 via x4
jai gau muvdu fai le karce
x1 moves the car to x2 from x3 via x4

la .alis. cu klama

Alice comes.

la .alis. gau ko klama

Make Alice come!

Why?’ - «ri'a», «ni'i», «mu'i», «ki'u»#

- ri'a ma carvi

- Why is it raining?

- le nu le dilnu ca klaku

- Because the clouds are crying.

ri'a
modal term: because of ... (some event)
ri'a ma
why?
klaku
x1 cries

Unlike gau the term ri'a expects not an agent, but an event like the clouds are crying:

le dilnu cu klaku ri'a le nu le dargu cu cilmo

Skies are crying resulting in the road being wet.

Therefore is the reverse word compared to because:

le dilnu cu klaku .i se ri'a bo le dargu cu cilmo

Skies are crying. Therefore the road is wet.

Another type of why is ni'i:

- ni'i ma nicte

- le nu le solri na ku te gusni

- Why is it night?

- Because the sun is not shining.

le solri na ku te gusni .i se ni'i bo nicte

The sun is not shining. Therefore, it's night.

ni'i
modal term: logically because of ...
se ni'i
modal term: with the logical consequence that ..., logically therefore

Here we can't use ri'a as we are talking not about a result but about logical implication. The fact that it is night just logically follows from the sun not shining.

mi darxi la .kevin. mu'i le nu ky. lacpu le kerfa be mi

I hit Kevin because he pulled my hair.

mu'i
term: because (of motive …)

In this example, what we have is not two events which are physically connected, like clouds and rain, but three events:

  1. Kevin pulls my hair.
  2. I decide, as a result of this, to hit Kevin.
  3. I hit Kevin.

English misses out the second event and says Sally hit Joey because he pulled her hair. However, this is not only vague but, some would say, psychologically dangerous. People do not generally react to stimuli automatically, but as a result of motivation, and confusing complex responses with simple physical causation may lead us to believe that we have no control over our emotions or even our actions. Thus, it is often useful to say not just physical reactions (ri'a) but emphasize responses which have a cognitive/emotional element (mu'i).

le ctuca pu posydu'a le jemna la .ben. ki'u le nu by. pu zabna gunka

The teacher gave the gem as a present to Ben because he worked nice.

le ctuca
the teacher
le jemna
the gem
zabna
x1 is cool, nice
gunka
x1 works
ki'u
modal term: because (due to explanation …)

The difference between motivation and justification is not always clear, but we can say that justification involves some rule or standard while motivation does not require it. Compare:

le ctuca pu posydu'a le jemna la .ben. ki'u le nu by. pu zabna gunka

The teacher gave the gem as a present to Ben motivated by his work nice.

This says only that Ben's hard work motivated the teacher to give him the gem whereas with ki'u we might imply that it is the custom for teachers to give gems as a reward for good work.

Note: Don't get ki'u mixed up with ku'i which means but, however.

ki'u appeals to more general considerations than mu'i, but it still deals with human standards, not logical laws. Only a very naive student would believe that if a student is given a gem, it must logically imply that that student has worked nice.

In the case ni'i ma nicte, however, the fact that the Sun isn't shining it is night logically entails that the Sun isn't shining. Here we can confidently use ni'i.

So … that#

The expression so ... that is expressed in Lojban by splitting the sentence into two:

mi tai galtu plipe .i ja'e bo mi farlu

I jumped so high that I fell down.

ja'e
modal term: with the result of ...
tai
modal term: in the manner of ...

Other examples:

mi tai zukte

I act this way

mi tai fengu

I am so angry.

fengu
x1 is angry at x2 (clause) for action x3 (property of x2)

If … then#

fau le nu do cizra vau mi ba prami do

If you are strange then I'll love you.

fau
modal term: with the event of ..., under circumstances ..., concurrently with ...

fau is much like ca (when) or bu'u (at (some place)).

In many cases we can replace fau with ca getting almost the same meaning (sometimes more precise):

mi ba prami do ca le nu do cizra

I'll love you when you are strange.

We can replace le with ro lo in such terms getting a new meaning:

mi ba prami do ca ro lo nu do cizra

I'll love you whenever you are strange.

«fau» and «da'i». ‘What if ...#

da'i mi turni

I could be a governor.

da'i nai mi turni

I am a governor.

  • The interjection da'i marks the relation in which it is put as describing an imaginary event.
  • The opposite interjection da'i nai marks the relation as describing an actual, real event.

Constructs with da'i are usually translated to English with so called auxiliary verbs such as can/could, will/would, may/might, should and must. Relations marked with da'i in English are said to be in subjunctive mood.

Omitting da'i or da'i nai makes the sentence clear only from context which is usually quite transparent. That's why da'i or da'i nai is not obligatory. We use it for clarity when needed.

Relations with da'i may include the term with fau:

da'i mi gleki fau le nu mi ponse le rupnusudu be li pa ki'o ki'o

I would/could be happy if I had one million dollars.

fau
with the event of …
rupnu
x1 is x2 (number) US dollars
pa ki'o ki'o
1 million

mo da'i fau le nu mi cusku lu je'u nai li'u

What if I say "no"?

Here the event inside fau is equally imagined together with mi gleki. And here is the reverse example:

da'i nai mi gleki fau le nu mi ponse le rupnu be li pa ki'o ki'o

Having one million dollars I am happy.

Probabilities#

Suppose you come home and hear someone scratching. You can say one of the following sentences:

fau su'o da tu mlatu

fau da tu mlatu

This might be/possibly is a cat. It is possible that this is a cat.

(You keep several animals at home. So it might be your cat scratching but you are not sure.)

fau ro da tu mlatu

this must be/certainly is the cat.

(You have a cat and such noise can be produced by only one object, that cat.)

fau so'e da tu mlatu

This should be/probably is the cat.

(If you have a dog then it can also produce such sounds but your dog usually doesn't do that so the cat is more likely.)

fau so'u da tu mlatu

It is not probable that this is the cat.

fau no da tu mlatu

This can't be the cat. This mustn't be the cat. It is impossible that this is the cat.

Notice that we omitted da'i for brevity. But if we want to be explicitly clear about the events being imaginary da'i in these examples is to be put inside the fau relation:

  1. fau da'i da denotes that the event in this relation is possible, may/can possibly happen.
  2. fau da'i ro da — the event would necessarily happen.
  3. fau da'i so'e da — the event is probable, will probably happen, is likely to happen.
  4. fau da'i so'o da — the event is remotely probable, could/might happen.
  5. fau da'i so'u da — the event is not likely, probably don't happen.
  6. fau da'i no da — the event is not possible.

The difference between these is in the number of imaginary situations we take into account. We don't describe those situations, we just mark them as da (something) letting the context (or our listeners) decide what those situations are.

Possibility implied in places of relations#

Some verbs have da'i implied in some of their places when you don't use da'i explicitly:

mi pacna le nu do ba pluka sipna

I hope you will have a pleasant sleep.

pacna
x1 hopes for x2 (possible event) with likelihood x3 (number, by default li so'a i.e. close to 1)

mi kanpe le nu do klama

I expect you to come.

mi kanpe le nu do ba jinga vau li so'e

You'll probably win.

I expect with a high probability that you will win.

mi kanpe le nu mi cortu fau ro lo nu su'o lo rokci cu farlu le tuple be mi

I know for a fact that if a rock lands on my foot, it will hurt.

kanpe
x1 expects x2 (possible event) with expected likelihood x3 (a number from 0 till 1, the default value is li so'a, i.e. near 1)

Unlike pacna the verb kanpe doesn't necessarily imply hope or wish. It can describe impartial expectation, subjective evaluation of the probability of a situation.

cumki fa le nu do jinga

It is possible that you win.

- xu ba carvi

- cumki

- Will it rain?

- Maybe.

cumki
x1 (possible event) is possible, x1 may, might occur, x1 is a maybe.

- xu ba carvi

- lakne

- Will it rain?

- Probably.

lakne
x1 (possible event) is probable, likely

mi djica le nu do jinga

I want you to win.

mi djica le nu mi klama la .paris.

I would rather visit Paris. I want to visit Paris.

djica
x1 wants x2 (possible event)

mi te mukti le ka klama la .paris.

I will visit Paris. I motivated to visit Paris.

mi te mukti klama la .paris.

I'm visiting Paris intentionally.

te mukti
x1 is motivated to bring about goal x2 (possible event) by motive x3 (event)

mi kakne le ka limna

I am able to swim.

mi pu kakne le ka gunka

I could work. I was able to work.

kakne
x1 can, is able to do x2 (property of x1)

x2 describes a possible event.

mi te javni le ka gunka

I should work.

te javni
x1 should/ought to do x2 (property of x1) under rule x3 (proposition)

x2 describes a possible event.

do na ku te javni le ka tcidu

You don't have to read.

na ku te javni
x1 doesn't have to, needn't to do x2 (property of x1) under rule x3 (proposition)

x2 describes a possible event.

mi nitcu le nu mi sipna

I need to sleep.

nitcu
x1 needs x2 (possible event)

mi bilga le ka gunka

I must work. I am obliged to work.

bilga
x1 must, is obliged to do x2 (property of x1)

mi curmi le nu do citka ti

I allow you to eat this.

curmi
x1 allows/permits x2 (possible event)

mi tolcru le nu do nerkla

I forbid you to enter.

tolcru
x1 forbids/prohibits x2 (possible event)

xu do stidi le ka sipna vau mi

Do you suggest that I sleep?

stidi
x1 inspires x2 (possible action) in actor x3

mi senpi le du'u ra kakne le ka limna

I doubt that he can swim.

senpi
x1 doubts that x2 (proposition) is true

mi se xanri le nu mi pavyseljirna

I imagine myself being a unicorn. I could be a unicorn.

se xanri

x1 imagines x2 (possible event)

xanri

x1 (possible event) is imagined by x2

Lesson 9. Logical conjunctions#

Basic logical conjunctions in Lojban are based on 4 primitive ones: .a, .e, .o, .u. Here we'll cover them in detail.

Logical conjunctions for nouns#

Here are the conjunctions combining two words: this and that.

  • ti .a ta = this and/or that

mi ba vitke le mamta .a le tamne

I'll visit the mother or the cousin.

Note that .a can also be translated as at least one of the two values and thus leaves open the possibility that I will get round to visiting both of them at some point.

  • ti .e ta = this and that

mi ralte le pa gerku .e le re mlatu

I've got a dog and two cats.

I keep one dog and two cat.

  • ti .o ta = either this and that, or none

mi ba vitke le mamta .o le tamne

I will visit either both the mother and the cousin, or none of them

  • ti .u ta = this, and perhaps that, this whether or not that

mi ba vitke le mamta .u le tamne

I'll visit the mother whether or not I'll visit the cousin.

.u just emphasizes that the second value does not affect the truth of the sentence.

Placing nai after a conjunction negates what is to the right of it. Placing na before a conjunction negates what is to the left of it:

  • ti .e nai ta = this and not that

mi nelci la .bob. e nai la .alis.

I like Bob but not Alice.

I like Bob and not Alice

We can also say ti .e nai ku'i ta (this but not that) adding a flavor of contrast for the second noun.

  • ti na .e ta = not this but that

mi nelci la .alis. na .e la .bob.

I don't like Alice but I do like Bob.

I like Alice not and Bob

This may sound a bit weird for English speakers ("I like Alice not…") so you might prefer to swap the nouns and use .e nai instead: mi nelci la .bob. e nai la .alis. or even mi nelci la .bob. i mi na ku nelci la .alis. will mean the same.

  • ti na .e nai ta = neither this nor that (none)

mi nelci la .alis. na .e nai la .bob.

I don't like neither Alice nor Bob

Negating with other primitive conjunctions might not look intuitively usable, you can just learn them from examples:

  • ti .a nai ta = this if that, for this the exclusive condition to happen is that

mi ba vitke le mamta .a nai le tamne

I will visit the mother but for that to happen I need to visit the cousin.

Thus ti .a nai ta means that ta is necessary (but may not be the only condition) for ti to be applied.

  • ti .o nai ta = either this or that

mi ba vitke le mamta .o nai le tamne

I'll visit either the mother or the cousin.

If I want to say that that I will visit either the mother or the cousin but not both, I need .o nai (either/or). It's unlike .a (and/or) where I can visit both of them.

  • ti na .u ta = doesn't influence (not this, but perhaps that)
  • ti na .u nai ta = doesn't influence (not this, but perhaps that)

  • ti se .u ta = perhaps this, and that

  • ti se .u nai ta = perhaps this but not that

se is used only for .u because in other cases it leads to no effect in meaning.

These are used for connecting nouns. For connecting parts of compound verbs we use similar conjunctions: ja, je, jo, ju. So instead of the dot (pause) we use j here.

Logical conjunctions for sentences#

mi ralte le pa gerku .e le re mlatu

I've got a dog and two cats.

I keep one dog and two cat.

This is actually a contracted way of saying:

mi ralte le pa gerku .i je mi ralte le re mlatu

It is true that I have a dog. It is true that I have two cats.

.i je joins two sentences with a logical and, showing that two sentences are part of one thought and that both sentences are true.

Here are examples for other conjunctions for sentences:

la .rome'os. cu prami la .djuliet. i je la .djuliet. cu prami la .rome'os.

Romeo loves Juliet and Juliet loves Romeo

means that both statements are true, i.e. Romeo and Juliet love each other.

The same is applicable to other conjunctions:

la .rome'os. cu prami la .djuliet. i ja la .djuliet. cu prami la .rome'os.

Romeo loves Juliet and/or Juliet loves Romeo

means that one of them loves the other, and perhaps both of them do.

la .rome'os. cu prami la .djuliet. i jo nai la .djuliet. cu prami la .rome'os.

Either Romeo loves Juliet or Juliet loves Romeo.

Here either Romeo loves Juliet (but Juliet doesn't love him), or Juliet loves Romeo (but he doesn't love her).

la .rome'os. cu prami la .djuliet. i ja nai la .djuliet. cu prami la .rome'os.

For Romeo to love Juliet it's necessary that Juliet loves Romeo.

means that if Juliet loves Romeo, he definitely loves her, but he may love her anyway (the only outcome which is impossible is that Juliet loves Romeo but he doesn't love her).

la .rome'os. cu prami la .djuliet. i jo la .djuliet. cu prami la .rome'os.

Either Romeo loves Juliet and Juliet loves Romeo, or none of the two events happens.

means that if Juliet loves Romeo, he loves her, and if she doesn't love him, he doesn't love her.

la .rome'os. cu prami la .djuliet. i ju la .djuliet. cu prami la .rome'os.

Romeo loves Juliet whether or not Juliet loves Romeo.

Notice how we Lojbanize the name "Romeo": combination "eo" is impossible in Lojban so we used "e'o" and added a consonant in the end for his name.

Note that da refers to the same entity when several sentences are connected to each other using conjunctions or with tense particles with bo (like ba bo). So if I say da klama le barja .i je da cizra you can assume I'm referring to the same person in both sentences.

Logical conjunctions for compound verbs#

le melbi xunre cukta

beautifully red books

le melbi je xunre cukta

beautiful and red books

Other conjunctions also make sense:

mi nelci ro tu voi xajmi ja melbi prenu

I likes all of funny or handsome (or both) persons.

mi nelci ro tu voi xajmi jo nai melbi prenu

I likes all of either funny or beautiful persons.

this might be explained if, for example, I find the qualities of humor and good looks incompatible, i.e. a mixture of the two would be just too much.

mi nelci ro tu voi xajmi ju melbi nanmu

I likes all of funny (whether or not beautiful) persons.

And once again we shouldn't forget the difference between connecting nouns and connecting parts of compound verbs:

mi ba vitke le pa pendo .e le pa speni

I will visit a friend and a spouse.

mi ba vitke le pa pendo je speni

I will visit a friend-and-spouse

The last Lojban sentence means that the friend is also a spouse.

Logical conjunctions for relation tails#

pu ku mi uantida la .soker. gi'e klama le zdani gi'e citka le badna

I played soccer, went home, ate the banana.

uantida
a non-official verb: x1 plays the game, participates in the game x2

gi'e connects several relations into one with some nouns shared. Look at this: It expands into pu ku mi kelci la .soker. i je pu ku mi klama le zdani ... which would be lengthier.

With gi'e we keep the head of the relation constant, and specify nouns after each of the verb (kelci la .soker., klama le zdani ...)

Thus when using gi'e we have several main verbs in the tail, which means that it's actually several relations (with a common head) joined together.

gi'e has the same final vowel as in je and thus means and.

Other conjunctions for joining relation tails:

  • gi'a for and/or
  • gi'o nai for either ... or
  • gi'u for whether or not etc.

So they have the same ending as conjunctions of .a series.

Terms in sentences with several tails#

Note that tenses as terms and tenses attached to the main relation of the relation make a difference when applied to sentences that contains several attached relations:

  • term in the head of the sentence is applied to all its tails:

mi ba'o cu citka le badna gi'e pinxe

I no longer eat the banana and no longer drink.

Here, ba'o is applied to citka le badna gi'e pinxe.

  • tense word that is a part of the verb is applied to that relation only:

mi ba'o citka le badna gi'e pinxe

I no longer eat the banana, I do drink.

Here, ba'o is applied to citka le badna only.

Choice questions#

Another type of English or can be found in questions:

xu do pinxe le tcati .o nai le ckafi?

je'u

Will you drink tea or coffee?

Yes.

That's a weird but a perfectly reasonable answer: Yes, I will drink tea or coffee.

Why this happens is because or has several meanings in English:

  1. A or B can mean either A, or B but not both. We use .onai here.
  2. A or B can mean A or B or both. We use .a here.
  3. A or B? can be a question meaning select from A and B, which of them do you choose? We use ji here.

Thus in the last case we use a separate question conjunction ji:

do pinxe le tcati ji le ckafi?

Will you drink tea or coffee?

Possible answers:

le tcati .e le ckafi

Tea and coffee.

le tcati

Tea.

le ckafi

Coffee.

It is also possible to use conjunctions when replying:

.eBoth (the first and the second item is chosen)

.e naiThe first one (tea) (the first but not the second one is chosen)**

na .eThe second one (coffee) (not the first but the second one is chosen)_

na .e naiNeither (not the first and not the second one is chosen)

You can ask questions in the same way about the other kinds of conjunctions we have looked at. The interrogative conjunction for relation tails is gi'i, for compound verbs - je'i, for sentences — .i je'i.

Indirect questions are achieved by using ji kau:

Consider the waiter asks a visitor

- le'e dembi ji le'e rismi

- The beans or the rice?

Once the visitor answers, the waiter knows whether the visitor wants to eat lamb or beef:

ba le nu le vitke cu spusku vau le bevri cu djuno le du'u le vitke cu djica le nu ri citka le'e dembi ji kau le'e rismi

After the visitor replies, the waiter knows whether the visitor wants to eat the beans or the rice.

Forethought conjunctions#

ge do gi mi

both you and I

ge nai do gi mi

Not you but I

ge do gi nai mi

You but not I

go nai do gi mi

Either you or I

Forethought conjunction ge means and but it's placed before the first noun. gi separates the two nouns. The series is parallel to other conjunctions. It is ga, ge, go, gu and also ga nai, ge nai, go nai etc. The separator gi is the same for all of them.

Using such conjunctions is a matter of convenience:

mi citka ge nai le badna gi le plise

I eat not the banana but the apple.

Here, like in English not is stated before the first noun.

ge and words in this series can still be used for connecting relations too:

ge mi dansu gi mi zgipli le pipno

I both dance and play the piano.

zgipli
x1 plays musical instrument x2
le pipno
piano

.i ga nai pu zi carvi gi ca cilmo

If it has been raining recently, it's wet now.

Lesson 10. Structuring text#

«ju'a» and assertions#

le prenu cu cizra .i ji'a je la .alis. cu jinvi le du'u go'i

The person is strange. And Alice thinks that too.

la .alis. cu jinvi le du'u le prenu cu cizra

Alice has an opinion that the person is strange.

By default the main relation of sentence asserts some information. Relations inside places or relations that are relative relations may not be asserted. In the last example that the man is crazy is not asserted by the speaker. It's only Alice's opinion.

The interjection ju'a makes the relation asserted by the speaker. The first sentence can be thus rephrased as:

la .alis. cu jinvi le du'u ju'a le prenu cu cizra

Alice has an opinion that the person is strange, and it is so.

English often fails to translate this powerful ju'a concisely, thus the English translation doesn't follow the word order of the Lojban original.

One more example:

mi nelci le nu do dansu

I like when you dance.

mi nelci le nu ju'a do dansu

I like that you dance.

In the second case the speaker asserts "You dance".

«pe'a» for metaphors, «za'e» for nonce words, «ba'e» for emphasis#

le ninmu cu tarci pe'a .i va'i ri misno

The woman is a "star". I other words, she is famous.

pe'a
interjection: marks a construct as metaphorically used.
tarci
x1 is a star

tarci denotes real stars, objects in the sky. The interjection pe'a transforms it into a metaphorical meaning.

.i ba ku mi pu viska le cizra stuzi poi le fagri cu nenri .i mi pu klama za'e le fagrystu

And then I saw a strange place with a fire inside. I came to that (how to say) "fire-place".

za'e
left interjection: marks the following construct as used not in its usual meaning

Left interjections like their name suggests are put before a construct modified (whereas other interjections are put after it).

The left interjection za'e shows that the following construct, le fagrystu in this case, is made up or used not in its standard meaning, i.e. there wouldn't be need to look up in the dictionary or ask the speaker specifically about the meaning of this word since the word is used to further describe the story.

ba'e la .alis. e nai la .kevin. pu darxi mi

Alice, not Kevin hit me!

mi djuno le du'u ma kau pu darxi ba'e mi .i ku'i mi na ku djuno le du'u ma kau pu darxi do

I know who hit me. But I don't know who hit you.

ba'e
left interjection: puts an emphasis on the following construct

To emphasize a word we would use stress in spoken English, and underlining, italics or capital letters in written English.

In Lojban we use the left interjection ba'e.

Paragraphs and separating sentences#

ni'o works exactly like .i but starts a new paragraph. Paragraphs are usually associated with new topics.

It is normal to use in speech only .i to separate sentence but you might want to use ni'o especially in a written text to structure it.

ni'o
.i le pa nintadni cu klama le ctuca bu'u le galtu bu'u le darno cmana A newbie visited the master far high in the mountains.
.i sei le nintadni cu cusku doi le ctuca noi certu tavla fo la .lojban. vau do skicu e'o fi mi fe le nu fi ma kau fa la .lojban. cu frica le'e drata bangu The newbie said: "Master, you speak fluent Lojban. Please, tell me what is the difference between Lojban and other languages."
.i le ctuca cu friti tu'a le kabri be lei jinto djacu le nintadni gi'e ba bo cusku The master offered him a cup of spring water and then said:
lu .i ca ti ko catlu le djacu gi'e skicu ri li'u Now look at the water and describe it.
.i ku'i sei le nintadni cu cusku mi mo'u pinxe ri i je mi na ku kakne le ka catlu The newbie said: "But I drank it up. I can't look at it."
.i ki'u ma do na ku kakne sei le ctuca cu cusku Why can't you?, the master said.
.i sei le nintadni cu cusku le djacu ca pagbu le xadni be mi The newbie said: "Now it's a part of my body."
ni'o
.i su'o da poi prenu zo'u le mudri co'a pagbu le zdani be da A piece of wood becomes a part of someone's house.
.i su'o de poi prenu zo'u su'o lo bangu poi se tadni cu co'a pagbu le menli be de A language learnt becomes a part of someone's mind.
.i su'o di zo'u le dirgo be le djacu co'a pagbu da poi zmadu fi le ka banli A drop of water becomes a part of something greater.

«to» … «toi» for parenthetical remarks#

Comments that we place inside parentheses in English text are formed using the word to instead of the left parenthesis and toi instead of the right parenthesis:

ti poi to vi'o nai do mi na ku djica tu'a su'o lo drata toi plise cu fusra

This (no, I don't want another one!) apple is rotten.

djica
to desire
drata
... is different from …
plise
x1 is an apple
fusra
x1 rots or decays with agent x2

Such parenthetical remarks can go anywhere interjections can — meaning pretty much anywhere in a Lojban sentence. With parentheses, just like with quotes, you need to know where the parenthesis starts, and where it ends.

Fixing errors in speech#

When screwing a sentence up, knowing how to correct yourself is a good idea. You can use two words to delete your previous words:

si
deletion: deletes last word only
sa
deletion: deletes back until next cmavo spoken

The function of them is obvious: they delete words as if they have never been spoken. They do not work inside certain quotes (all quotes except lu...li'u), though, as that would leave it impossible to quote these words. Several si in a row deletes several words.

When you make a mistake while speaking (factual or grammatical) in English you don't normally bother to correct it even if you realize you made a mistake in the first place. That's because English is fairly reposydu'ant (for this very reason!). In English if we catch ourselves making an error, we stumble out a correction that will do the trick, without going into details like how many words should be cancelled: context usually helps us. So if I say

I'm learning the English word, ... er, Lojban word.

context and common sense dictate that Lojban word is meant to replace English word. But what if it was meant to replace I'm learning the English word? We wouldn't normally care, in natural languages.

But Lojban allows you to be more precise about what words you are correcting.

si erases the immediately preceding word. If you want to erase two words in a row, you say si si after them. So the correction above would be in Lojban

.i mi tadni le glico valsi si si lojbo valsi

I'm learning the English word, ... er, Lojban word.

valsi
x1 is a word with the meaning x2 in language x3

The problem with si is, you have to count words. This can get tedious, and you shouldn't have to keep a transcript of your words when you want to correct yourself.

The other correction word Lojban offers is somewhat more helpful: sa takes the word following it, which starts the relation to serve as the correction. It then goes back in the sentence, looking for the last time you used a relation starting with the same word or another word of the same class (selma'o). Once it finds the last such relation, it replaces all text from that relation up to sa with the relation following sa. For example:

.i mi tadni le sa .i mi tadni le lojbo valsi

I'm learning the ... er, I'm learning the Lojban word.

The correction following sa is a sentence; you know that, because the first word after sa is the sentence marker, .i. So the sentence following sa replaces the current sentence up to and including sa. Or consider:

.i mi mrilu fi do de'i li jefydei bu pa sa de'i li jefydei bu re

I mailed to you on Monday, ... er, on Tuesday.

On Monday I mailed it to you, ... er, actually, it was Tuesday.

The correction is de'i li jefydei bu reon Tuesday. So what it replaces is everything from the last relation beginning with de'i: de'i li jefydei bu paon Monday.

Dealing with misunderstanding#

.i mi pu zi te vecnu le flokati

.i le flokati ki'a

I just bought a flokati.

Flokati, huh?

ki'a
interjection inquiry: confusion about something said. "Huh? Whaat?? (confusion), pardon?"

When you don't understand what someone has just said — whether because you don't get what they were referring to, or you don't know the word, or the grammar confused you — you can repeat the word or relation you didn't get, and add ki'a as a plaintive request for clarification (so it's even better than Huh?, because you can point out exactly what made you say Huh?)

Here is a dialogue.

mi nelci le kalci

ki'a ?

I like shit.

Whaat???

Note: Since zo quotes any word following it — any word — it turns out that zo ki'a doesn't mean zo? Huh? at all, but The word ki'a. To ask zo? Huh?, you'll have to resort to zo zo ki'a.

Reverse «mi» and «do» using «ra'o»#

- mi prami do

- go'i ra'o

- I love you.

- I love you too.

ra'o
interjection: updates meaning from the viewpoint of the current speaker

If someone says mi prami do and you reply go'i ra'o, that reverses the pronouns mi and do so that they apply from your point of view. So every pronoun gets re-evaluated.

Compare:

- mi prami do

- go'i

- I love you.

- You do.

A simple go'i still makes mi refer to who used it and do refer to the listener of who said it.

Lesson 11. Trickier topics#

Four meanings of ‘you’ in English#

We've already seen two personal pronouns, mi and do, meaning I (or me) and you. However, you in English can mean four different things:

  1. The one person I'm talking to.
  2. A number of people I'm talking to.
  3. The person or people I'm talking to and some other person or people.
  4. Anyone (as in Money can't buy you love.)

Lojban gets round the confusion between (1) and (2) by using numbers. The most common way to express (2) is ro do = all of you (or Southern U.S. y'all). You can also use specific numbers: le re do would mean you two (for example, once can start e-mails to their parents with coi le re do). Notice that re do means two of you and re le ci do means two of you three.

You can also use numbers with ko, for example, ro ko klama tiAll of you, get over here.

Case (3) is expressed by the pronoun do'oyou and someone else. Case (4) is completely different: it's normally expressed by ro da = all da or ro lo prenuall persons, but often you can just miss it out altogether (or place zo'e in that place).

More about short relative clauses#

Short relative clauses with a pronoun after them can be put just after le:

le pe mi gerku

le gerku pe mi

My dog

pe in such cases can even be omitted:

le mi gerku

le gerku pe mi

My dog

Thus, "le + noun + verb" is equivalent to "le + verb + pe + noun".

A few rules:

  • if you want to use a noun converted from a verb (for example, with le) or a name then it's advisable to use pe and put it after the noun: le gerku pe la .alis. (the Alice's dog).
  • it's okay to omit pe only if you use pronouns without numbers in front of them: le do gerku (my dog) but not le pa do gerku (= le pa do cu gerku = you one is a dog).

It's much safer to use pe explicitly and put it after the noun to which it is attached: le gerku pe la .alis. and le gerku pe mi are most intuitive constructs.

Quoting text in different languages#

zoi is a quotation mark for quoting non-Lojban text. Its syntax is zoi X. text .X, where X is a Lojban word (called the delimiting word) which is separated from the quoted text by pauses, and which is not found in the written text or spoken phoneme stream inside that quotation. It is common, but not required, to use the name of some letter, which corresponds to the Lojban name of the language being quoted:

zoi gy. John is a man .gy. cu glico jufra

“John is a man” is an English sentence.

where gy. stands for glico. Other popular choices of delimiting words are .kuot., a Lojban name which sounds like the English wordquote, and the word zoi itself. Another possibility is a Lojban word suggesting the topic of the quotation.

Lojban strictly avoids any confusion between things and the names of things:

zo .bob. cmene la .bob.

The-word “Bob” is-the-name-of the-one-named Bob.

zo .bob. is the word, whereas la .bob. is the thing named by the word. The short qualifier words la'e and lu'e placed before terms convert back and forth between references and their referents:

zo .bob. cmene la'e zo .bob.

The-word “Bob” is-the-name-of the-referent-of the-word “Bob”.

lu'e la .bob. cmene la .bob.

A-symbol-for Bob is-the-name-of Bob.

Last two examples mean the same. But this is different:

la .bob. cu cmene la .bob.

Bob is the name of Bob.

and says that Bob is both the name and the thing named, an unlikely situation. People are not names.

la'o serves to mark non-Lojban names, for example the Linnaean binomial names (such as "Homo sapiens"), which are the internationally standardized names for species of animals and plants.

Internationally known names which can more easily be recognized by spelling rather than pronunciation, such as Goethe, can also appear in Lojban text with la'o:

la'o dy. Goethe .dy. cu me la'o ly. Homo sapiens .ly.

Goethe is a Homo sapiens.

Using la'o for all names rather than adapting them to Lojban, however, can make for a cumbersome text.

Everything expressed in text should also be expressed in speech and vice versa. Therefore, there cannot be any punctuation which is not pronounced. This means that Lojban has a wide range of words to quote other words. All Lojban convert a text into a noun.

lu ... li'u quote only text that is grammatically correct. To quote any Lojban text we use lo'u ... le'u quote instead.

xu lo'u je le'u lojbo sumsmi .i je'u nai

Is "je" a term? No.

ma xe fanva zoi gy.What's up?.gy. la .lojban.

How to translate "What's up?" to Lojban?

Enriching vocabulary. New words using tenses#

Many English words correspond to word combinations in Lojban:

le ve'i cmana
the hill (literally "mountain/hill covering little space")
le ve'u xamsi
the ocean (literally "sea/ocean covering large space")
le ba'o tricu
stump of a tree (literally "the no longer tree")

Internal terms#

Using be you can attach not only the default places of verbs but even terms:

le xatra be de'i li vo cu se mrilu de'i li ze

This letter, dated the 4th, is mailed on the 7th

xatra
x1 is a letter

A date tagged with de'i applies only to the xatra. Compare:

le xatra de'i li vo cu se mrilu de'i li ze

The letter on the 4th is mailed in the 7th (whatever that can mean)

Without be the term de'i li vo would apply to the whole relation, not to xatra. What we want to say is that the former date applies just to the letter, and the latter date applies to the mailing of the letter. This means that the 4th, as a date, applies only to the verb le xatra, and not to the entire relation.

Compound verbs in detail#

The grouping of terms in Lojban grammar is particularly important when it comes to tanru (compound verbs). The way verbs group together in a tanru determines what that tanru means. For example,

the bad music magazine

has in English two interpretations: a bad magazine about music, or a magazine about bad music. In Lojban, its equivalent

le xlali zgike karni

has only the interpretation a bad-music magazine, because the first two verbs (xlali zgikebad music) group together first. So it is important to be able to modify the grouping of verbs, so that we can make sure the tanru means what we actually intend it to mean. For that reason, Lojban has a couple of mechanisms in place for making tanru group together properly.

In English we use brackets to structure the text. Likewise for tanru we use ke for the left bracket and ke'e for the right bracket.

le xlali ke zgike karni means the bad music-magazine.

As you can see we separated xlali from the rest of the tanru and made it apply to the whole tanru. There is no need in ke'e in the end of the tanru since we already know that it ends here.

.i mi pu zi te vecnu le xlali ke zgike karni .i to'e zanru la'o gy.Eurythmics.gy.

I just bought a bad music-magazine. It dissed the Eurythmics.

That's one way of grouping together verbs in tanru. The other way is to use bo in a new role. When bo appears between two verbs, it means that those verbs group together more tightly than anything else. So an alternative way of saying bad {music magazine} is

le xlali zgike bo karni
the bad music-magazine

bo here is similar to the hyphen in English translation. This means that zgike bo karni should count as a unit, to which xlali (bad) applies.

So bo makes the connections tighter:

la .doris. e la .alis. o nai bo la .bob.

Doris and (either Alice or Bob)

ke can also be used with connectives (though not with sentences; they have their own kind of bracket, tu'e ... tu'u.) So we could also say

la .doris. e ke la .alis. o nai la .bob.

Remember that the right bracket ke'e can be left out in most cases without changing the meaning (like in this case).

Forethought conjunction are also used a lot since they can eliminate the need in right brackets:

ge la .doris. gi go nai la .alis. gi la .bob.

Doris and either Alice or Bob

and

go nai ge la .doris. gi la .alis. gi la .bob.

Either Doris and Alice, or Bob

We don't need bo or ke with forethought conjunctions.

«co» for changing the order in compound verbs#

There is another way of restructuring compound verbs.

mi fanva se jibri

I'm a professional translator

jibri
x1 is a job of x2
dotybau
x1 is German used by x2 to say x3
glibau
x1 is English used by x2 to say x3

If I wanted to say that I'm a professional translator from English to German, I could mess around with be, bei:

mi fanva be le dotybau bei le glibau be'o se jibri

I'm a professional translator from English to German

The fact that it was a compound verb could quickly be lost in speech due to the complicated structure of the sentence. Here, we can use the word co:

co — inverts the compound verb, making the rightmost verb word modify the leftmost instead of the other way around. Any previous noun fills the modified, any following noun fills the modifier.

mi se jibri co fanva le dotybau le glibau

It is the same relation as the previous Lojban one, but much more easy to understand. Notice that any noun before the compound verb fills se jibri, while any following it only fills the modifying verb: fanva.

The strength by which two verbs are bound together with co is very weak – even weaker than normal compound verb grouping without any grouping words. This makes sure that, in a co-construct, the leftmost verb word is always the verb being modified, and the rightmost always modifies, even if any of those parts are compound verbs. This makes a co-construct easy to understand:

ti pelxu plise co kukte

is read as ti (pelxu plise) co kukte, which is the same as ti kukte pelxu bo plise. This also means that a ke … ke'e cannot encompass a co.

However, gi'e, gi'a etc. bind even looser than co. This is in order to totally avoid confusion about which verb word binds to which in a gi'e. The answer is simple: gi'e never emcompasses any verb groups.

How can you express "I am an important American buyer of computers" using a co?

Answer: mi skami te vecnu co vajni merko

If it's of any use, this is the list of different kind of verb word groupers ranked by strength:

  1. bo and ke … ke'e
  2. Logical connectives other than gi'e series
  3. not using grouping words
  4. co
  5. gi'e series

Explicit termination of nouns#

the small word ku can be used at the end of a noun to explicitly show its right border. ku is analogous to right bracket in math.

tu du le badna ku ui

tu du le ui badna

That is the banana (yay!)

as opposed to:

tu du le badna ui

That is the banana (yay that it's a banana and not something else in nature!)

Conversion from sets to masses#

le prenu cu pa moi le'i pendo be mi ku noi lu'o ke'a ca smaji

He is the first among my friends who keep silence together.

The person is the first among the set of my friends who are now as a crowd being silent.

The qualifier word lu'o placed before a noun converts it into a mass made of members of that noun. In this case ke'a refers to the set of my friends le'i pendo be mi and then lu'o converts the members of the set into a mass, the crowd of my friends.

Lojban community#

Join the live chat for more info.

Dictionary#

An addendum to this course.

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